Bruno de Simone sings Don Pasquale: "Son rinato. Or si parli al nipotino"
Recognised as a byword in comic opera and bel canto repertoire, Bruno de Simone is one of the most valued singers-actors on the international opera scene. Born in Naples, he combined his university degree with study in music and singing with Sesto Bruscantini and began to distinguish himself as the ideal performer of dramma giocoso from the 18th and 19th century and comic opera, especially Rossini – with seventeen roles – and Donizetti repertoire. He is currently confirmed as an indispensable singer in this sphere. He has also made a name for himself in the world of comic opera with works by the likes of Galuppi, Pergolesi, Paisiello and Cimarosa, and is now considered to be the leading singer in this field, being the most prolific performer of this repertoire. From the beginning of his c
Past performances 1985 — Yesterday
L'elisir d'amore (The Elixir of Love), Donizetti
Teatro del GiglioIl dottore Dulcamara (Doctor Dulcamara)
View cast and crewIl turco in Italia (The Turk in Italy), Rossini
Opéra Royal de Wallonie - LiègeDon Geronio
View cast and crewIl barbiere di Siviglia (The Barber of Seville), Rossini
Müpa BudapestDon Bartolo (Doctor Bartolo)
View cast and crewIl turco in Italia (The Turk in Italy), Rossini
Don Geronio
View cast and crewL'elisir d'amore (The Elixir of Love), Donizetti
Teatro del GiglioIl dottore Dulcamara (Doctor Dulcamara)
View cast and crewIl turco in Italia (The Turk in Italy), Rossini
Opéra Royal de Wallonie - LiègeDon Geronio
View cast and crewIl barbiere di Siviglia (The Barber of Seville), Rossini
Müpa BudapestDon Bartolo (Doctor Bartolo)
View cast and crewIl barbiere di Siviglia (The Barber of Seville), Rossini
Teatro Massimo BelliniDon Bartolo (Doctor Bartolo)
View cast and crewRecognised as a byword in comic opera and bel canto repertoire, Bruno de Simone is one of the most valued singers-actors on the international opera scene. Born in Naples, he combined his university degree with study in music and singing with Sesto Bruscantini and began to distinguish himself as the ideal performer of dramma giocoso from the 18th and 19th century and comic opera, especially Rossini – with seventeen roles – and Donizetti repertoire. He is currently confirmed as an indispensable singer in this sphere. He has also made a name for himself in the world of comic opera with works by the likes of Galuppi, Pergolesi, Paisiello and Cimarosa, and is now considered to be the leading singer in this field, being the most prolific performer of this repertoire. From the beginning of his c