Apresentações anteriores 1996 — Ontem
 What makes Maestro Daniel Lipton such a remarkable conductor, one who stands above the rest? Is it his tall, attractive demeanor, his charismatic smile which immediately engages an audience? Is it the incredible way he communicates with the orchestras he works with, demonstrated by: - receiving a letter from the Arturo Toscanini Orchestra, lauding him for his outstanding musicianship and his generous humanity (Parma, “La Bohème”); - being offered flowers with a card of appreciation and a Parker pen with his initials (Opera Royal de Wallonie - Liege, at final performance of "Lucia di Lammermoor”); - being taken to dinner by the orchestra members after his first symphony concert with them (Staatshtheat