Krediti ta' prestazzjoni
Prestazzjonijiet li ġejjin Illum 'il quddiem
Prestazzjonijiet Passat 1978 — Ilbieraħ
Pikovaya Dama (The Queen of Spades), Tchaikovsky, P. I.
Deutsche Oper BerlinGrafinya (Countess)
Ara l-cast u l-ekwipaġġPikovaya Dama (The Queen of Spades), Tchaikovsky, P. I.
Palau de les Arts Reina SofiaGrafinya (Countess)
Ara l-cast u l-ekwipaġġDehru wirjiet tal-passat
Pikovaya Dama (The Queen of Spades), Tchaikovsky, P. I.
Deutsche Oper BerlinGrafinya (Countess)
Ara l-cast u l-ekwipaġġ
Pikovaya Dama (The Queen of Spades), Tchaikovsky, P. I.
Palau de les Arts Reina SofiaGrafinya (Countess)
Ara l-cast u l-ekwipaġġ
Prestazzjonijiet li ġejjin
22The Nose, op. 15, Shostakovich
Bavarian State OperaA Respectable Lady (Old Lady)
Ara l-cast u l-ekwipaġġLa Fiamma, Respighi
Deutsche Oper BerlinAgnese di Cervia
Ara l-cast u l-ekwipaġġFanny and Alexander (Fanny And Alexander), Karlsson, M.
La Monnaie/De MuntHelena Ekdahl
Ara l-cast u l-ekwipaġġArabella, Strauss
Deutsche Oper BerlinAdelaide
Ara l-cast u l-ekwipaġġ
Bijografija
Doris Soffel is one of the greatest mezzos of our time. She was not only a passionate Carmen and an elegant Octavian, but also the only German mezzo to make an International career as bel canto singer. In 90ies more dramatic roles like Amneris, Eboli and Klytämnestra (in Salzburg with Maazel). Soffel´s Ortrud with Luisi and Kundry in Berlin with Thielemann brought her to the front ranks of Wagner singers. Her stunning Frickas in the Cologne Carsen-Ring with Tate, in Amsterdam with Haenchen and at La Scala, Milan, with Barenboim (2010), confirmed her earlier success with this part under Solti in Bayreuth. From 2005 on she continued establishing her career as Wagner and R.Strauss-singer with Kundry, Fricka and Brangäne in Venice and Amme (Frau ohne Schatten) in Los Angeles, Dresden, Toulous
