Sein wir wieder gut - Emilie Renard, Mezzo-soprano
Datozen Emanaldiak Gaur Aurrera
Iraganeko emanaldiak 2010 — Atzo
Le nozze di Figaro (The Marriage of Figaro), Mozart
Theater MagdeburgCherubino
Ikusi antzezle eta ekipoaLyubov k tryom apelsinam (The Love for Three Oranges), Prokofiev
Theater MagdeburgNicoletta
Ikusi antzezle eta ekipoaHänsel und Gretel (Hansel and Gretel), Humperdinck
Theater MagdeburgHänsel (Hansel)
Ikusi antzezle eta ekipoa-
Lessons in Love and Violence, Benjamin
Cité de la Musique-Philharmonie2. Witness (Witness 2)
Ikusi antzezle eta ekipoaDer Zaunkönig und die silberne Flöte, Kanefzky
Theater MagdeburgErzählerin/Sängerin
Ikusi antzezle eta ekipoaLe nozze di Figaro (The Marriage of Figaro), Mozart
Theater MagdeburgCherubino
Ikusi antzezle eta ekipoaLyubov k tryom apelsinam (The Love for Three Oranges), Prokofiev
Theater MagdeburgNicoletta
Ikusi antzezle eta ekipoaHänsel und Gretel (Hansel and Gretel), Humperdinck
Theater MagdeburgHänsel (Hansel)
Ikusi antzezle eta ekipoa-
Lessons in Love and Violence, Benjamin
Cité de la Musique-Philharmonie2. Witness (Witness 2)
Ikusi antzezle eta ekipoaLyubov k tryom apelsinam (The Love for Three Oranges), Prokofiev
Theater MagdeburgNicoletta
Ikusi antzezle eta ekipoaLe nozze di Figaro (The Marriage of Figaro), Mozart
Theater MagdeburgCherubino
Ikusi antzezle eta ekipoaSieg der Schönheit (Victory of Beauty), Telemann
Theater MagdeburgMelite
Ikusi antzezle eta ekipoaDer kleine Prinz, Valtinoni
MusikTheater an der WienDer kleine Prinz
Ikusi antzezle eta ekipoaAnglo-French mezzo-Soprano Emilie Renard exploded onto the international performing scene by winning first prize in the 2013 Antonio Cesti Competition at the Innsbruck Festival. A Britten Pears Young Artist in 2010, Emilie Renard’s prowess as a recitalist was further demonstrated by her award of the Premier Prix de la Mélodie Française, at the 22nd Concours International de Chant de Marmande, where she also carried off the overall First Prize for Women’s Voices. Having already made her professional debut in Richard Jones’ famed production for English National Opera of Martinů’s Julietta, her repertoire embraces five centuries of music, from Amore in Monteverdi’s L’incoronazione di Poppea (“… a remarkably convincing teenage boy”) and Purcell’s Dido (“… the pure musical expression of a hear