Sein wir wieder gut - Emilie Renard, Mezzo-soprano
Prossimi spettacoli Da oggi in poi
Spettacoli passati 2010 : ieri
Sieg der Schönheit (La vittoria della bellezza), Telemann
Theater MagdeburgMelite
Visualizza cast e team creativoLyubov k tryom apelsinam (L'amore delle tre melarance), Prokofiev
Theater MagdeburgNicoletta
Visualizza cast e team creativoHänsel und Gretel (Hansel e Gretel), Humperdinck
Theater MagdeburgHänsel
Visualizza cast e team creativo-
Lessons in Love and Violence (Lezioni d'amore e violenza), Benjamin
Cité de la Musique-Philharmonie2. Witness
Visualizza cast e team creativoDer Zaunkönig und die silberne Flöte, Kanefzky
Theater MagdeburgErzählerin/Sängerin
Visualizza cast e team creativoSieg der Schönheit (La vittoria della bellezza), Telemann
Theater MagdeburgMelite
Visualizza cast e team creativoLyubov k tryom apelsinam (L'amore delle tre melarance), Prokofiev
Theater MagdeburgNicoletta
Visualizza cast e team creativoHänsel und Gretel (Hansel e Gretel), Humperdinck
Theater MagdeburgHänsel
Visualizza cast e team creativo-
Lessons in Love and Violence (Lezioni d'amore e violenza), Benjamin
Cité de la Musique-Philharmonie2. Witness
Visualizza cast e team creativoLyubov k tryom apelsinam (L'amore delle tre melarance), Prokofiev
Theater MagdeburgNicoletta
Visualizza cast e team creativoLe nozze di Figaro, Mozart
Theater MagdeburgCherubino
Visualizza cast e team creativoSieg der Schönheit (La vittoria della bellezza), Telemann
Theater MagdeburgMelite
Visualizza cast e team creativoDer kleine Prinz, Valtinoni
MusikTheater an der WienDer kleine Prinz
Visualizza cast e team creativoven16:00
Vienna, AustriaAnglo-French mezzo-Soprano Emilie Renard exploded onto the international performing scene by winning first prize in the 2013 Antonio Cesti Competition at the Innsbruck Festival. A Britten Pears Young Artist in 2010, Emilie Renard’s prowess as a recitalist was further demonstrated by her award of the Premier Prix de la Mélodie Française, at the 22nd Concours International de Chant de Marmande, where she also carried off the overall First Prize for Women’s Voices. Having already made her professional debut in Richard Jones’ famed production for English National Opera of Martinů’s Julietta, her repertoire embraces five centuries of music, from Amore in Monteverdi’s L’incoronazione di Poppea (“… a remarkably convincing teenage boy”) and Purcell’s Dido (“… the pure musical expression of a hear