Filippo Mineccia Calisto de Cavalli
Born in Florence Filippo Mineccia gained international recognition being considered by many as one of the greatest specialists in the repertoire of the glorious castrato era. As a child, he studied singing at the Fiesole School of Music, joining its Polyphonic Choir. After graduating in voice and cello from the Luigi Cherubini Music Conservatory in Florence, he studied with Gianni Fabbrini and Donatella Debolini. Filippo regularly collaborates with ensembles such as Accademia Bizantina, Les Talens Lyriques, I Barocchisti, Il Complesso Barocco, La Cappella della Pietà de’ Turchini, Opera Fuoco, Collegium 1704, Capella Cracoviensis, Divino Sospiro, Balthasar Neumann Ensemble, Auser Musici, Cappella Mediterranea, Ensemble Matheus, Bach Consort Wien, Ensemble Nereydas. Filippo has worked wi
Upcoming performances Today Onwards
Past performances 2006 — Yesterday
Stabat Mater pour deux castrats, VivaldiPergolesi
Opéra Royal de VersaillesCountertenor + 1 roles
View program, cast and crewGiovanni sollima- Stabat Mater, SollimaBoccherini, L.
Teatro Massimo di PalermoCountertenor
View program, cast and crewStabat Mater pour deux castrats, VivaldiPergolesi
Opéra Royal de VersaillesCountertenor + 1 roles
View program, cast and crewGiovanni sollima- Stabat Mater, SollimaBoccherini, L.
Teatro Massimo di PalermoCountertenor
View program, cast and crewCesare in Egitto, Giacomelli
Innsbrucker Festwochen der Alten MusikAchilla
View cast and crewFilippo Mineccia / Les Affranchi·e·s Italské Baroko, AriostiHändelBononcini, G.VivaldiVivaldi, A. L.Di Capua, R.SarroHasseAlbinoni
Svatováclavský hudební festivalSoloist + 2 roles
View program, cast and crewBorn in Florence Filippo Mineccia gained international recognition being considered by many as one of the greatest specialists in the repertoire of the glorious castrato era. As a child, he studied singing at the Fiesole School of Music, joining its Polyphonic Choir. After graduating in voice and cello from the Luigi Cherubini Music Conservatory in Florence, he studied with Gianni Fabbrini and Donatella Debolini. Filippo regularly collaborates with ensembles such as Accademia Bizantina, Les Talens Lyriques, I Barocchisti, Il Complesso Barocco, La Cappella della Pietà de’ Turchini, Opera Fuoco, Collegium 1704, Capella Cracoviensis, Divino Sospiro, Balthasar Neumann Ensemble, Auser Musici, Cappella Mediterranea, Ensemble Matheus, Bach Consort Wien, Ensemble Nereydas. Filippo has worked wi