Creidmheasanna feidhmíochta
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St Petersburg Theatre of Musical ComedyStage director + 1 ról
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Opera KrakowskaChoreographer + 1 ról
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Theatre VanemuineStage director + 2 ról
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Opera WrocławskaChoreographer
Féach ar an gclár, an fhoireann agus an fhoireannLéirithe san am atá caite
Die lustige Witwe (The Merry Widow), Lehár
St Petersburg Theatre of Musical ComedyStage director + 1 ról
Féach ar an bhfoireann agus an fhoireann
La Cenerentola (Cinderella), Rossini
Opera KrakowskaChoreographer + 1 ról
Féach ar an bhfoireann agus an fhoireann
Viini veri, Strauss IIJr.
Theatre VanemuineStage director + 2 ról
Féach ar an bhfoireann agus an fhoireann
Die Fledermaus (The Bat), Strauss II
Teatr Wielki ŁódźStage director + 2 ról
Féach ar an bhfoireann agus an fhoireannLéirithe le Teacht
3Turandot, Puccini
Theatre VanemuineStage director + 1 ról
Féach ar an bhfoireann agus an fhoireannDom16:00
Tartu, EstoniaDie lustige Witwe (The Merry Widow), Lehár
St Petersburg Theatre of Musical ComedyStage director + 1 ról
Féach ar an bhfoireann agus an fhoireannTurandot, Puccini
Theatre VanemuineStage director + 1 ról
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Tartu, EstoniaIntro showreel
1
Presentation Trailer Giorgio Madia
Beathaisnéis
Giorgio Madia graduated from the ballet school of Teatro alla Scala in Milan and was hired in the company and the end of his studies. He joined Maurice Béjart’s “Ballet du XXièmesiècle”, later “Béjart Ballet Lausanne” as Soloist Dancer. He was Principal Dancer with Pennsylvania Ballet, Milwaukee Ballet, San Francisco Ballet, Aterballetto and Zurich Ballet. Rudolf Nureyev invited him for his three years long world farewell tour to dance with him among others Maurice Béjart’s duet “Le Chant du compagnon errant” and José Limón’s “Moor´s Pavane”. In 1997 Giorgio Madia concluded his dancing career, worked as First Ballet Master at Balletto di Toscana, Ballett Basel and BerlinBallett in the Komische Oper Berlin. He was Artistic Director for the Ballet of Teatr Wielki in Łodz and from 2003 to 200
