Krediti ta' prestazzjoni
Prestazzjonijiet li ġejjin Illum 'il quddiem
Prestazzjonijiet Passat 2011 — Ilbieraħ
Lucia di Lammermoor (Lucia of Lammermoor), Donizetti
Staatsoper HamburgSir Edgardo di Ravenswood (Sir Edgar of Ravenswood)
Ara l-cast u l-ekwipaġġRigoletto, Verdi
Teatro Massimo di PalermoIl Duca di Mantova (The Duke of Mantua)
Ara l-cast u l-ekwipaġġDie lustige Witwe (The Merry Widow), Lehár
Hessisches Staatstheater WiesbadenCamille de Rosillon (Camille of Rosillon)
Ara l-cast u l-ekwipaġġ-
Lucia di Lammermoor (Lucia of Lammermoor), Donizetti
Deutsche Oper BerlinSir Edgardo di Ravenswood (Sir Edgar of Ravenswood)
Ara l-cast u l-ekwipaġġ-
I Capuleti e i Montecchi (The Capulets and the Montagues), Bellini
Teatro Massimo di PalermoTebaldo
Ara l-cast u l-ekwipaġġHotea and Antonie sing Rossini, Bizet and Strauss in Bucharest, RossiniBizetStrauss
Romanian Youth OrchestraTenor
Ara programm, cast u ekwipaġġDehru wirjiet tal-passat
Lucia di Lammermoor (Lucia of Lammermoor), Donizetti
Staatsoper HamburgSir Edgardo di Ravenswood (Sir Edgar of Ravenswood)
Ara l-cast u l-ekwipaġġ
Rigoletto, Verdi
Teatro Massimo di PalermoIl Duca di Mantova (The Duke of Mantua)
Ara l-cast u l-ekwipaġġ
Die lustige Witwe (The Merry Widow), Lehár
Hessisches Staatstheater WiesbadenCamille de Rosillon (Camille of Rosillon)
Ara l-cast u l-ekwipaġġ-
Lucia di Lammermoor (Lucia of Lammermoor), Donizetti
Deutsche Oper BerlinSir Edgardo di Ravenswood (Sir Edgar of Ravenswood)
Ara l-cast u l-ekwipaġġ-
I Capuleti e i Montecchi (The Capulets and the Montagues), Bellini
Teatro Massimo di PalermoTebaldo
Ara l-cast u l-ekwipaġġPrestazzjonijiet li ġejjin
12Messiaen: Saint François d’Assise, Messiaen
Hamburg International Music FestivalLe Lépreux
Ara l-cast u l-ekwipaġġ
Bijografija
Born in 1990 in Baia Mare,Romania, the first steps in the field of arts were surprisingly to him, not in music but in Visual Arts. Following the suggestion of his primary school teacher, he begins studying Fine Arts at the Art High School in his hometown where gets to hear classical music for the first time, attending recitals and auditions. At the end of the 8th grade, he discovered through the concerts of Luciano Pavarotti and The Three Tenors broadcast on television, his passion for opera. The decisive moment took place in a graphics class when the teacher heard him singing in a low voice a popular italian canzone and convinced him to sing it in full voice in front of the class. Upon hearing the voice, he urged him to start studying Classical Singing. The unexpected transition would bri
