Creidmheasanna feidhmíochta
Léirithe san am a chuaigh thart 2002 — Inné
Der Freischütz, op. 77 (The Marksman), Von Weber
Immling FestivalMax
Féach ar an bhfoireann agus an fhoireannDer Freischütz (reduction) (The Marksman (reduction)), Von Weber
Immling FestivalMax
Féach ar an bhfoireann agus an fhoireannKát'a Kabanová (Katya Kabanova), Janáček
Theater AachenTichon Ivanyč Kabanov (Tichon Ivanyc Kabanov)
Féach ar an bhfoireann agus an fhoireann-
Au monde (To the World), Boesmans
Theater AachenLe mari de la fille aînée
Féach ar an bhfoireann agus an fhoireann-
Jenůfa (Jenufa), Janáček
Theater AachenŠteva Buryja (Steva Buryja)
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
Der Freischütz, op. 77 (The Marksman), Von Weber
Immling FestivalMax
Féach ar an bhfoireann agus an fhoireann
Les contes d'Hoffmann (The Tales of Hoffmann), Offenbach
Nationaltheater MannheimSchlémil (Schlemil) + 1 ról
Féach ar an bhfoireann agus an fhoireann-
Físeáin léirithe faoi thrácht
2
Beathaisnéis
The young heldentenor Johan Weigel first started his vocal studies as a baritone in his country of birth, Sweden, but graduated as a tenor. To further establish his tenor voice, he then continued his studies at Indiana University, Bloomington U.S.A with James King and James McDonald. His first professional job as a soloist Mr.Weigel got at the DNT in Weimar where he celebrated his successful debut as Tamino in the Magic Flute. There followed contracts at the Volksoper in Vienna, where he sang leading roles in operettas, and in Stuttgart, where he embodied roles as Pollione in Norma and David in Die Meistersinger. The role of Matteo in Arabella, Mr. Weigel had the pleasure of singing next to stars like Rene Fleming in Zurich and Nina Stemme in Gothenburg. Due to the combination
