Creidmheasanna feidhmíochta
Léirithe san am a chuaigh thart 2006 — Inné
Il barbiere di Siviglia (The Barber of Seville), Rossini
Staatstheater BraunschweigIl Conte d'Almaviva (The Count of Almaviva)
Féach ar an bhfoireann agus an fhoireann-
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Il barbiere di Siviglia (The Barber of Seville), Rossini
Deutsche Oper am RheinIl Conte d'Almaviva (The Count of Almaviva)
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
Il barbiere di Siviglia (The Barber of Seville), Rossini
Staatstheater BraunschweigIl Conte d'Almaviva (The Count of Almaviva)
Féach ar an bhfoireann agus an fhoireann-
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Il barbiere di Siviglia (The Barber of Seville), Rossini
Deutsche Oper am RheinIl Conte d'Almaviva (The Count of Almaviva)
Féach ar an bhfoireann agus an fhoireann
Beathaisnéis
Born in Uruguay, and of Italian origin, tenor Leonardo Ferrando stands out in the belcanto repertoire for his musicality, fine phrasing and impressive high register. His operatic highlights include the roles of Almaviva (Il Barbiere di Siviglia), Don Ramiro (La Cenerentola), Comte Ory, Ernesto (Don Pasquale), Nemorino (L’elisir d’amore), Carlo (Linda di Chamounix), Arturo (I puritani), Orombello (Beatrice di Tenda), Tamino (Die Zauberflöte), Ferrando (Così fan tutte), Don Ottavio (Don Giovanni), Gérald (Lakmé), Tammu (Babylon, the contemporary opera composed by J Widmann), as well as leading roles in rare bel canto operas. Leonardo Ferrando’s career has taken him to Bergamo, Berlin, Bremen, Buenos Aires, Copenhagen, Düsseldorf, Helsinki, Innsbruck, Malmö, Montevideo, Muscat, São Paulo, Tou
