Frammistaða áskriftir
Fyrri sýningar 2006 — Í gær
Il barbiere di Siviglia (The Barber of Seville), Rossini
Staatstheater BraunschweigIl Conte d'Almaviva (The Count of Almaviva)
Skoða leikara og mannskap-
-
-
Il barbiere di Siviglia (The Barber of Seville), Rossini
Deutsche Oper am RheinIl Conte d'Almaviva (The Count of Almaviva)
Skoða leikara og mannskapSýndar fyrri sýningar
Il barbiere di Siviglia (The Barber of Seville), Rossini
Staatstheater BraunschweigIl Conte d'Almaviva (The Count of Almaviva)
Skoða leikara og mannskap-
-
Il barbiere di Siviglia (The Barber of Seville), Rossini
Deutsche Oper am RheinIl Conte d'Almaviva (The Count of Almaviva)
Skoða leikara og mannskap
Æviágrip
Born in Uruguay, and of Italian origin, tenor Leonardo Ferrando stands out in the belcanto repertoire for his musicality, fine phrasing and impressive high register. His operatic highlights include the roles of Almaviva (Il Barbiere di Siviglia), Don Ramiro (La Cenerentola), Comte Ory, Ernesto (Don Pasquale), Nemorino (L’elisir d’amore), Carlo (Linda di Chamounix), Arturo (I puritani), Orombello (Beatrice di Tenda), Tamino (Die Zauberflöte), Ferrando (Così fan tutte), Don Ottavio (Don Giovanni), Gérald (Lakmé), Tammu (Babylon, the contemporary opera composed by J Widmann), as well as leading roles in rare bel canto operas. Leonardo Ferrando’s career has taken him to Bergamo, Berlin, Bremen, Buenos Aires, Copenhagen, Düsseldorf, Helsinki, Innsbruck, Malmö, Montevideo, Muscat, São Paulo, Tou
