Creidmheasanna feidhmíochta
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 1996 — Inné
Marc Albrecht Stefan Dohr, Strauss
Oslo PhilharmonicConductor
Féach ar an gclár, an fhoireann agus an fhoireannDon Quixote, Strauss
The Calouste Gulbenkian FoundationConductor
Féach ar an gclár, an fhoireann agus an fhoireannBeethoven Strauss, BeethovenStrauss
Opernhaus ZürichConductor
Féach ar an gclár, an fhoireann agus an fhoireannLéirithe san am atá caite
Marc Albrecht Stefan Dohr, Strauss
Oslo PhilharmonicConductor
Féach ar an gclár, an fhoireann agus an fhoireann
Don Quixote, Strauss
The Calouste Gulbenkian FoundationConductor
Féach ar an gclár, an fhoireann agus an fhoireann
Léirithe le Teacht
19Konzerthausorchester Berlin, Marc Albrecht, JostStrauss
Konzerthaus BerlinConductor
Féach ar an gclár, an fhoireann agus an fhoireannWiebke Lehmkuhl, contralto · Orquesta de Valencia, ChinMahlerBrahms
Palau de la MúsicaConductor
Féach ar an gclár, an fhoireann agus an fhoireannBruckner Focus Concerts: 200th birth anniversary, BrucknerBruch
Armenian National Philharmonic OrchestraConductor
Féach ar an gclár, an fhoireann agus an fhoireannDer fliegende Holländer (The Flying Dutchman), Wagner, Richard
New National Theatre TokyoConductor
Féach ar an bhfoireann agus an fhoireannDom14:00
Tokyo, Japan
Beathaisnéis
Marc Albrecht is one of the most exciting conductors on the opera and concert scene today. He is in demand internationally as a conductor of the German-Austrian late Romantic repertoire from Wagner and Strauss to Zemlinsky, Schreker and Korngold, and also cultivates with conviction the entire spectrum from Mozart to contemporary music. Albrecht’s work with the orchestra is rooted in a chamber music approach; he loves and knows how to utilise the infinite sound possibilities of the large symphony orchestra, whilst simultaneously always allowing the sound to blend with the intimacy of the chamber orchestra. Even in the densely orchestrated symphonies of Bruckner and Mahler, Albrecht succeeds in an astonishing way in making the structure clear and letting the music breathe. With Marc Albrech
