Creidmheasanna feidhmíochta
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2013 — Inné
Pikovaya Dama (The Queen of Spades), Tchaikovsky, P. I.
Latvian National OperaPrilepa/Chloë (Prilepa)
Féach ar an bhfoireann agus an fhoireannPikovaya Dama (The Queen of Spades), Tchaikovsky, P. I.
Latvian National OperaPrilepa/Chloë (Prilepa)
Féach ar an bhfoireann agus an fhoireannLe nozze di Figaro (The Marriage of Figaro), Mozart
Latvian National OperaBarbarina
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
Pikovaya Dama (The Queen of Spades), Tchaikovsky, P. I.
Latvian National OperaPrilepa/Chloë (Prilepa)
Féach ar an bhfoireann agus an fhoireann
Pikovaya Dama (The Queen of Spades), Tchaikovsky, P. I.
Latvian National OperaPrilepa/Chloë (Prilepa)
Féach ar an bhfoireann agus an fhoireannLéirithe le Teacht
3Jenůfa, Janáček
Latvian National Opera and BalletJano
Féach ar an bhfoireann agus an fhoireann
Beathaisnéis
Marlēna Keine is one of the most promising and young soloists, who has made her opera and operetta debuts with equal success. She made her opera debut during her Bachelor’s studies in 2013 as Carolina in Cimarosa’s Il matrimonio segreto directed by Giorgio Bongiovanni and conducted by Risto Joost at the Estonian National Opera. Soon after she made her debut as an operetta singer in the role of Viola (Yola) in the Latvian Operetta Foundation’s production of Dostal’s Clivia (2014), followed by Valencienne in Lehár’s Die lustige Witwe (2015) and Daisy Darlington in Abraham’s Ball im Savoy (2016). Her Latvian National Opera debut was in 2014 as Barbarina in Mozart’s Le nozze di Figaro. In 2015, she sung Adele in Strauss’ Die Fledermaus, and in 2016 Papagena in the educational project The Litt
