Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2010 — Inné
The Cecilia Chorus of New York with Orchestra, BeethovenCyrus Chestnut
Carnegie HallBass + 1 ról
Féach ar an gclár, an fhoireann agus an fhoireannDie Zauberflöte (The Magic Flute), Mozart
Nashville OperaSarastro
Féach ar an bhfoireann agus an fhoireannRoméo et Juliette (Romeo and Juliet), Gounod
Arizona OperaFrère Laurent (Friar Laurent)
Féach ar an bhfoireann agus an fhoireannAlcina, Händel
St Petersburg Opera CompanyMelisso (Melissio)
Féach ar an bhfoireann agus an fhoireannDie Zauberflöte (The Magic Flute), Mozart
Arizona OperaSarastro
Féach ar an bhfoireann agus an fhoireannLe nozze di Figaro (The Marriage of Figaro), Mozart
Opera San JoseBartolo
Féach ar an bhfoireann agus an fhoireannThe Cecilia Chorus of New York with Orchestra, BeethovenCyrus Chestnut
Carnegie HallBass + 1 ról
Féach ar an gclár, an fhoireann agus an fhoireannDie Zauberflöte (The Magic Flute), Mozart
Nashville OperaSarastro
Féach ar an bhfoireann agus an fhoireannRoméo et Juliette (Romeo and Juliet), Gounod
Arizona OperaFrère Laurent (Friar Laurent)
Féach ar an bhfoireann agus an fhoireannAlcina, Händel
St Petersburg Opera CompanyMelisso (Melissio)
Féach ar an bhfoireann agus an fhoireannDie Zauberflöte (The Magic Flute), Mozart
Arizona OperaSarastro
Féach ar an bhfoireann agus an fhoireannThe Barber Of Seville, Rossini
Minnesota OperaDon Bartolo (Doctor Bartolo)
Féach ar an bhfoireann agus an fhoireannBass Matthew Anchel, called "a voice to watch" by the Wall Street Journal, has performed with many of the world’s leading companies and orchestras. During both the 2018-19 and 2019-2020 seasons, Mr. Anchel has joined the ensemble of Oper Stuttgart for a number of roles, including Bartolo in Il barbiere di Siviglia, Benoit in La Boheme, Crespel/Luther in Les Contes d’Hoffmann, The Cook in Love of Three Oranges, and Antonio in Le nozze di Figaro. He spent the summer of 2019 at the Glyndebourne Festival, covering Sarastro in Die Zauberflöte. In recent seasons, Mr. Anchel has returned to the Metropolitan Opera, covering in new productions of The Exterminating Angel and Cendrillon. He also joined Santa Fe Opera to cover Tsar Dodon in their production of The Golden Cockerel, made his company de