Krediti ta' prestazzjoni
Prestazzjonijiet li ġejjin Illum 'il quddiem
Prestazzjonijiet Passat 1997 — Ilbieraħ
Semyon Bychkov: Mahlers Sinfonie der Tausend, Mahler
NDR Elbphilharmonie OrchesterPater Profundus (Bass)
Ara l-cast u l-ekwipaġġRoméo et Juliette (Romeo and Juliet), Gounod
The Metropolitan OperaComte Capulet (Count Capulet)
Ara l-cast u l-ekwipaġġKarina Canellakis conducts Haydn and Bartók with Alisa Weilerstein, HaydnBartók
Boston Symphony OrchestraA kékszakállú herceg (Bluebeard)
Ara programm, cast u ekwipaġġDehru wirjiet tal-passat
Semyon Bychkov: Mahlers Sinfonie der Tausend, Mahler
NDR Elbphilharmonie OrchesterPater Profundus (Bass)
Ara l-cast u l-ekwipaġġ
Roméo et Juliette (Romeo and Juliet), Gounod
The Metropolitan OperaComte Capulet (Count Capulet)
Ara l-cast u l-ekwipaġġ
Karina Canellakis conducts Haydn and Bartók with Alisa Weilerstein, HaydnBartók
Boston Symphony OrchestraA kékszakállú herceg (Bluebeard)
Ara programm, cast u ekwipaġġ
Prestazzjonijiet li ġejjin
12Das Rheingold (The Rhinegold), Wagner, Richard
Theater BaselWotan
Ara l-cast u l-ekwipaġġSib19:00
Basel, SwitzerlandDie Walküre (The Valkyrie), Wagner, Richard
Theater BaselWotan
Ara l-cast u l-ekwipaġġĦad17:00
Basel, SwitzerlandDas Rheingold (The Rhinegold), Wagner, Richard
Theater BaselWotan
Ara l-cast u l-ekwipaġġTne19:00
Basel, SwitzerlandDie Walküre (The Valkyrie), Wagner, Richard
Theater BaselWotan
Ara l-cast u l-ekwipaġġTli18:00
Basel, SwitzerlandDas Rheingold (The Rhinegold), Wagner, Richard
Theater BaselWotan
Ara l-cast u l-ekwipaġġSib19:00
Basel, SwitzerlandDie Walküre (The Valkyrie), Wagner, Richard
Theater BaselWotan
Ara l-cast u l-ekwipaġġĦad17:00
Basel, SwitzerlandHamlet, Thomas
Opéra de MontréalClaudius (King Claudius)
Ara l-cast u l-ekwipaġġASO Chorus + Belshazzar's Feast, SibeliusWalton
Atlanta Symphony OrchestraBass-Baritone
Ara programm, cast u ekwipaġġ
Bijografija
Grammy, Juno and Echo Award winner Nathan Berg continues to captivate audiences around the world with his “oaken” (Financial Times), “solid, communicative” (New York Times), “dark-chocolate” (Vancouver Courier) “first-class voice” (Boston Globe) and as a “brilliant actor and a palpable presence on stage” (Financial Times). “A miracle of vocal ease and theatrical characterization” (ResMusica), “his technique is impeccable” (Opera News) and he possesses “a voice not only powerful and full of meaning, but of such velvet beauty” (The Times). With a repertoire that widely encompasses music from five centuries and an expansive discography, his ever-evolving career continues to grow from strength to strength. Nathan begins and ends an exciting 23/24 season as Wotan in Wagner’s Das Rheingold and
