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 luty
II 19Prapremiera Wien(Theater). Johannes Kalitzke: Die Besessenen (19-25 II)
II 22Prapremiera München(SO). Eotvos: Die Tragödie des Teufels (22 II-9 III)
Comic-utopian opera in three parts; Lucifer guides Adam and Eve through a world full of conflict, misunderstanding and uncertainty. In the end, Lucifer parts from his body, and his tragedy becomes Man’s tragedy: people cannot assign the evil anymore, and find it in themselves; Libretto: Albert Ostermaier, after 'The Tragedy of Man' by Imre Madách
II 24Prapremiera Boston(OB). Zhou Long: Madame White Snake (24 II-2 III)
A powerful snake demon gives up her immortality to become a woman and experience human love; Libretto: Cerise Lim Jacobs, after Chinese myth
II 25Prapremiera Braunschweig. Ella Milch-Sheriff: Baruchs Schweigen (25 II)
After a man dies, his daughter discovers his diary and the tragedies of his life, coming to a new understanding; After the composer's own father's diary for 1943
II 28Prapremiera Wien(SO). Aribert Reimann: Medea (28 II-12 III)
Libretto: Aribert Reimann, after Grillparzer
 marzec
III 01Prapremiera Lyon(Opera). Saariaho: Emilie (1-13 III)
It is 1749 and a dying woman writes a farewell letter to her lover, looking back on the passions of her life; Opéra en neuf scènes; Libretto: Amin Maalouf
III 04Prapremiera Dessau(Fest). Moritz Eggert: Bordellballade (4-5 III)
A new Threepenny Opera for modern times; Librettist: Franzobel
III 05Prapremiera Hof. Roland Baumgartner: Luther (5 III-23 V)
III 13Prapremiera Osnabruck. Nader Mashayekhi: Nizami (13 III)
Libretto: Nadja Kayali and Angelika Messner
III 14Prapremiera Basel. Beat Furrer: Wüstenbuch (14 III)
The desert as the symbol of the alien and empty, metaphor for nothingness and the loss of memory; Libretto: Beat Furrer and Händl Klaus, after Ingeborg Bachmann
III 18Rzadkie wydarzenie Lyon(Opera). van der Aa: After Life (18-21 III)
III 19Prapremiera Bremen(Theater). Bernd Redmann: Die Gehetzten (19 III)
'The Hurried Ones'
III 25Prapremiera Lisboa. Holszky: Hybris/Niobe (25 III-5 IV)
Scenic world premiere; Drama for voices, 30’ (Schwetzingen, April 2008); Libretto: Yona Kim
III 26Prapremiera Mannheim. Bernhard Lang: Montezuma, Fallender Adler (26 III)
The meeting of Cortez and Montezuma, and the destruction of the Aztec culture by the Christian Spanish -- an opera about disappearance; Libretto: Christian Loidl
 kwiecień
IV 09Prapremiera Lisboa. Hugo Ribeiro: Os mortos viajam de metro (9-11 IV)
'The Dead Travel by Metro'; Exploration of the drives linking artistic creativity to suicide, set in an abandoned metro station with the shades of Virginia Woolf, Sylvia Plath and Sarah Kane
IV 23Prapremiera Rouen. Thierry Pecou: L'amour coupable (23-27 IV)
Opéra in 5 acts; Libretto: Eugène Green, after the play 'La Mère coupable' by Beaumarchais
IV 24Prapremiera Antwerpen(Vlaamse). Elena Kats-Chernin: The Rage of Life (24-30 IV)
Libretto: Igor Bauersima
IV 24Prapremiera Regensburg. Franz Hummel: Zarathustra (24 IV-23 VII)
Libretto: Sandra Hummel, after texts by Nietzsche and his contemporaries
IV 27Prapremiera München(Biennale). Philipp Maintz: Maldoror (27 IV)
The author of the source text meets his creation, the epitome of absolute evil; Libretto: Thomas Fiedler, after 'Les Chants de Maldoror' by Comte de Lautréamont
IV 28Prapremiera München(Biennale). Marton Illes: Die weiße Fürstin (28 IV)
Scene polidimensionali XVII; After the first draft of the dramatic poem 'The White Princess' by Rainer Maria Rilke
IV 30Prapremiera Dallas. Heggie: Moby-Dick (30 IV-16 V)
An exploration of the lethal power of obsession and the need for human connection
 maj
V 04Prapremiera København(KGL). Edina Hadziselimovic: Waiting in Nowhere (4 V-7 VI)
Can love and compassion survive within the confines of four walls in no man's land?; Chamber opera on the experiences of asylum seekers in Denmark; Libretto: Rubén Palma
V 05Prapremiera Luzern(Theater). Georg Graewe: Barbara Strozzi (5-24 V)
A research journey into the life of Barbara Strozzi, a 17th century singer, composer and muse. A musical play with time, perception, reality, memory and speculation.; Musiktheater
V 07Prapremiera Kaiserslautern. Helmut Bieler: Gestohlenes Leben (7 V-4 VI)
The events of the night of the 21/22 October 1940, when 50 Jews were deported from Kaiserslautern
V 08Prapremiera München(Biennale). Klaus Schedl: Amazon (8-12 V)
Music: Klaus Schedl, Tato Taborda; Concept: Laymert Garcia dos Santos, Peter Weibel; Media: Peter Weibel, José Wagner Garcia; Advisors: Davi Kopenawa (shaman), Bruce Albert (anthropologist)
V 08Prapremiera Seattle. Daron Aric Hagen: Amelia (8-22 V)
Amelia interweaves one woman’s emotional journey, the American experience in Vietnam, and elements of the Daedalus and Icarus myth to explore man’s fascination with flight and the dilemmas that arise when it is used for exploration, adventure, and war; Libretto: Gardner McFall, after a story by Stephen Wadsworth
V 09Prapremiera München(Biennale). Lin Wang: Die Quelle (9 V)
Problems of preserving and transforming identity, and finding an individual voice in an increasingly multicultural world
V 15Rzadkie wydarzenie London(Barbican). van der Aa: After Life (15 V)
V 16Prapremiera Köln. Hoffmann,I: Vom Fischer und seiner Frau (16 V)
Jazzoper für Kinder ab 4 Jahren; Libretto: Barbara Deeken, after the fairy-tale by Philipp Otto Runge
 czerwiec
VI 06Prapremiera Bonn. Klaus Lang: Buch Asche (6 VI)
VI 13Prapremiera Saint Louis. Peter Ash: The Golden Ticket (13-26 VI)
Libretto: Donald Sturrock, after Charlie and the Chocolate Factory by Roald Dahl
VI 18Prapremiera Warszawa(Wielki). Szymanski: Qudsja Zaher (18-20 VI)
A poetic tale of remembrance and death which unfolds underwater; Opera in two acts with prologue; Libretto: Maciej Drygas
 lipiec
VII 02Prapremiera Neustrelitz. Gunther: Luise (2 VII-1 VIII)
Operetta to mark the bicentenary of the death of Queen Luise; Libretto: Dirk Heidecke, after the childhood of Queen Luise
VII 24Prapremiera Santa Fe. Lewis Spratlan: Life is a Dream (24 VII-19 VIII)
Libretto by James Maraniss