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Giancarlo Monsalve

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Tenor Morning high note warm up! D5 8:00 am

Giancarlo Monsalve who played the role of Don Jose, made good use of his voice and acting as a pure young man attracted to love and crush. He was very good at showing his trembling emotions with the finest techniques that let him sang from fortissimo to pianissimo. Acts 1 and 2 he showed de indecisive conflicts, so there was a good contrast with the developing to the acts 3 and 4 provoking tension.

Original Language:
돈호세역을 맡은 잔카를로 몬살베는 순수한 청년이 사랑에 이끌려 파국에 치닺는 전개를 발성과 연기로 잘 살려주었다. 그는 높은 음을 부르면서도 피아니시모로 아주 작게 부르는 최고의 기교로 떨리는 감정선을 너무나도 멋지게 보여주었다. 1막부터 2막까지는 우유부단한 돈 호세이기에 속으로 머금는 창법을, 이후 3막과 4막은 팽팽하게 내지르는 창법을 보여주는 대비가 좋았다.
박순영

Giancarlo Monsalva who appeared in the opera Carmen, which was screened live in major cinemas around the world. With his gorgeous appearance, emotional voice and solid performance. He's one of the best Liric Spinto Tenor of our times, working in theaters and festivals worldwide, including Arena di Verona, the Royal Opera House in London's Covent Garden, the Bavarian State Opera, Munich State Opera.

Original Language:
잔카를로 몬살베는 화려한 외모와 감성적인 목소리, 그리고 탄탄한 연기력으로 전 세계 주요 영화관에 라이브 스트리밍으로 상영되었던 오페라 <카르멘>에 출연했다. 그는 아레나디베로나, 런던 로열오페라하우스코벤트가든, 바이에른국립오페라극장, 뮌헨국립오페라극장 등 세계적인 극장과 축제에서 활동하는 이 시대 최고의 리릭 스핀토 테너Liric Spinto Tenor다.
글 이소영 솔오페라단장

The debut in this theater of the Chilean tenor Giancarlo Monsalve is auspicious.
And he does it in a big way, with a role adjusted to his spinto lyric timbre
that dashing with power towards the dramatic, without neglecting the most lyrical aspects of Don Alvaro.

Giancarlo Monsalve, masculine symbol of the lyric voices of the present,
and whose belcantist voice was coupled with the heroic and romantic musical motifs of a beautiful score in itself

In the character of Don José, the handsome tenor Chilean Giancarlo Monsalve found biunique harmony between enamel of timbre and acting

~ (Original language) Nel personaggio di Don José, l’aitante tenore cileno Giancarlo Monsalve ha trovato biunivoca consonanza tra smalto timbrico e recitazione.

Giancarlo Monsalve on the other hand was an impressive Don Jose, conveying much with his rich voice and long eyelashes.

Giancarlo Monsalve does the own thing as Pollione, his good timbre voice gives him the perfect character to a loving and jealous father of his children.
The FGO achieved an ensemble wonderfully staged with a flawless production that every lover of opera and gender curious should see.

~ (Original language) Giancarlo Monsalve hace lo propio como Pollione, su voz bien timbrada le da el carácter perfecto a un padre amoroso y celosos de sus hijos.
La FGO logró un montaje maravillosamente llevado a escena con una producción impecable que todo amante de la ópera y curiosos del género deben ver.

Magee, Monsalve and Aceto combine to make a terrific "Tosca" trifecta.
The Dallas Opera's "Tosca" that opened November 6 at the Winspear Opera House (and simulcast live in Klyde Warren Park) is a handsome production highlighted by three powerhouse principal performers. Giancarlo Monsalve is terrific as Cavaradossi.

"E lucevan le stelle” ("And the stars shone") and tenor Monsalve’s voice is rounded and full, his performance emotive yet real.
Everyone dies. It's opera. So no big surprises there. You don’t go to the opera to be shocked by a sudden plot twist. You go to the opera to hear beautiful music sung by immensely talented performers and the Dallas Opera’s production of Giacomo Puccini’s tragic opera, Tosca, delivered

That's Italian!
The Dallas Opera offers up a straightforward, beautifully sung production of Puccini's Tosca.
The young and handsome tenor Giancarlo Monsalve portrayed her lover Mario Caveradossi with virility and rash spontaneity. This made him believable as a man who would attract the glances of other women, giving the volatile Tosca some reason for her jealous behavior. It also gave veracity to his impulsive and personally dangerous outbursts while Scarpia tries to extract some information by the use of torture.
As far as singers go, this is a memorable cast. The strong cast has big voices that are perfectly suited to verismo Italianate opera. Everyone’s high notes are secure and right in the mask so that they all fill the Winspear with vocal excitement. The net result of a cast with similar vocal production is a serendipitous uniformity of sound and matched size of voice, even in the smaller roles

Giancarlo Monsalve

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