| Od / Do |
Opera |
Role |
Místo |
|
V-VI 15  | | The Pirates of Penzance | The Pirate King en | London(ENO) | D: D Parry; R: M Leigh |
| XI 14 | | La boheme | Colline it | Washington(WO) | D: Auguin / Timothy Myers; R: Jo Davies |
| VI-VII 14 | | The Cunning Little Vixen | Harašta cs | Garsington | D: Garry Walker; R: Daniel Slater |
| VI-VII 14 | | Fidelio | Don Fernando | Garsington | D: Douglas Boyd; R: John Cox |
| II-III 14 | | La boheme | Colline it | Raymond Gubbay | D: O Gooch; R: Zambello |
| X-XI 13 | | La boheme | Colline it | Perth | D: Colaneri; R: Simon Phillips / Cath Dadd |
| X 13 | | The Importance of Being Earnest | Algernon Moncrieff | Belfast | D: Valade; R: Antony McDonald |
| V-VI 13 | | Tosca | Angelotti it | Los Angeles(Opera) | D: P Domingo; R: Caird |
| IV 13 | | The Rape of Lucretia | Collatinus | Reggio Emilia | D: Jonathan Webb; R: D Abbado |
| III 13 | | The Rape of Lucretia | Collatinus | Ravenna(Comunale) | D: Jonathan Webb; R: D Abbado |
| II 13 | | The Triumph of Beauty and Deceit | Time en | Karlsruhe | D: Richard Baker; R: Sam Brown |
| II 13 | | Il trionfo del tempo e del disinganno | Time en | Karlsruhe | D: Richard Baker; R: Sam Brown |
| IX-X 12 | | Don Giovanni | Masetto it | Los Angeles(Opera)  | D: J Conlon / P Domingo; R: Gregory A Fortner |
| VI-VII 12 | | Don Giovanni | Leporello | Garsington | D: Douglas Boyd; R: Daniel Slater |
| IV 12 | | The Importance of Being Earnest | Algernon Moncrieff | London(Barbican) | D: Adès; |
| II-III 12 | | Le nozze di Figaro | Figaro | Sydney(OA) | D: S Hewett / Legge; R: Benedict Andrews |
| X 11-III 12 | | Don Giovanni | Masetto | New York(Met) | D: James Levine / Andrew Davis; R: Grandage |
| V 11 | | Ariadne auf Naxos | Truffaldino | New York(Met) | D: Luisi; R: Moshinsky |
Intermusica[Gen, Svět]
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