Biography
Kirsten Chambers made her Metropolitan Opera house debut on short notice in 2016 in the title role of Salome. Her Carnegie Hall debut came on just two days’ notice when she sang the fiendishly difficult role of Maria in Richard Strauss’ Friedenstag with the American Symphony Orchestra. Her 2016-17 season started when she joined the roster of the Metropolitan Opera for the first time this fall as a cover of Isolde in Tristan und Isolde. Upcoming engagements for 2017-18 include Infantin in Der Zwerg with Odyssey Opera in Boston, the Angel in Angels in America with New York City Opera, Erwartung with The Orchestra Now, and a return to the title role of Salome with Florida Grand Opera. During the 2015-16 season she debuted Foreign Princess in Rusalka at Lyric Opera of Kansas City and Leonore
Performance credits
Past performances 2008 — Yesterday
Un giorno di regno (King for a Day), Verdi
Opera OrlandoLa marchesa Del Poggio (The Marchesa of Poggio)
View cast and crewFeatured past performances
Un giorno di regno (King for a Day), Verdi
Opera OrlandoLa marchesa Del Poggio (The Marchesa of Poggio)
View cast and crew
I am a dreamer who no longer dreams, Sosa, J.
White Snake ProjectsMother + 2 roles
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Biography
Kirsten Chambers made her Metropolitan Opera house debut on short notice in 2016 in the title role of Salome. Her Carnegie Hall debut came on just two days’ notice when she sang the fiendishly difficult role of Maria in Richard Strauss’ Friedenstag with the American Symphony Orchestra. Her 2016-17 season started when she joined the roster of the Metropolitan Opera for the first time this fall as a cover of Isolde in Tristan und Isolde. Upcoming engagements for 2017-18 include Infantin in Der Zwerg with Odyssey Opera in Boston, the Angel in Angels in America with New York City Opera, Erwartung with The Orchestra Now, and a return to the title role of Salome with Florida Grand Opera. During the 2015-16 season she debuted Foreign Princess in Rusalka at Lyric Opera of Kansas City and Leonore
