Frammistaða áskriftir
Fyrri sýningar 2002 — Í gær
Árias de Ópera, MozartVilla-LobosRipperBocchinoPucciniVerdiSchumann
Centro Cultural Teatro GuaíraSoloist
Skoða dagskrá, leikarahóp og mannskapDie Fledermaus (The Bat), Strauss II
Orquestra Sinfônica de Porto Alegre (OSPA)Rosalinde
Skoða leikara og mannskapLyubov k tryom apelsinam (The Love for Three Oranges), Prokofiev
Theatro Municipal de São PauloFata Morgana
Skoða leikara og mannskapLe nozze di Figaro (The Marriage of Figaro), Mozart
Opera WrocławskaLa Contessa di Almaviva (The Countess of Almaviva)
Skoða leikara og mannskapJenůfa (Jenufa), Janáček
Theatro Municipal do Rio de JaneiroJenůfa (Jenufa)
Skoða leikara og mannskapSýndar fyrri sýningar
Die Fledermaus (The Bat), Strauss II
Orquestra Sinfônica de Porto Alegre (OSPA)Rosalinde
Skoða leikara og mannskap
Lyubov k tryom apelsinam (The Love for Three Oranges), Prokofiev
Theatro Municipal de São PauloFata Morgana
Skoða leikara og mannskap
Le nozze di Figaro (The Marriage of Figaro), Mozart
Opera WrocławskaLa Contessa di Almaviva (The Countess of Almaviva)
Skoða leikara og mannskap
La clemenza di Tito (The Clemency of Titus), Mozart
Theatro São PedroVitellia
Skoða leikara og mannskap
Æviágrip
Gabriella Pace has twice won the Carlos Gomes Prize for ‘Best Female Singer’ in Brazil. She started her music and vocal studies with her father, Héctor Pace, and later studied with Leilah Farah in São Paulo and Pier Miranda Ferraro in Milan. She has worked with distinguished conductors, including Lorin Maazel, Fabio Mechetti, Isaac Karabtchevsky, Ira Levin, John Neschling, Rodolfo Fischer and Roberto Minczuk. Her operatic rôles include Tytania in Britten’s A Midsummer Night’s Dream, Ilia in Idomeneo, Pamina in Die Zauberflöte, Susanna in Le nozze di Figaro, Euridice in Orfeo ed Euridice, Giulietta in I Capuleti e i Montecchi, Adina in L’elisir d’amore, and Norina in Don Pasquale. She has also appeared as a soloist in Mahler’s Fourth Symphony, Beethoven’s Ninth Symphony, Orff’s Carmina Bura
