Name: 1. Philharmonisches konzert
Start: 2023-09-24T00:00:00.000Z
End: 2023-10-04T00:00:00.000Z
Location: Theater Ulm

Organization

Ulm Theater

Conductor

Felix Bender

Chorus master

Nikolaus Henseler

Salome Rebello

Singer

Alto

Nadine Weissmann

Contralto

Orchestra

Philharmonische Orchester der Stadt Ulm

Others

Ulmer Spatzen Chor

1. Philharmonisches konzert

Germany

Theater Ulm

Foyer

Public

Symphony No. 3 in D Minor

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Bass-baritone

Countertenor

Bass

Soprano

Tenor

Mezzo-soprano

Child vocalist

Continuo

Silent

Spoken

After Ludwig van Beethoven's nine symphonies — and especially after his overwhelming ninth with the "Ode to Joy" — the limits, form and structure of a symphony finally seem to have been "exploded". Numerous composers work their way through Beethoven's overpowering shadow and create works that break new ground. At the end of the 19th century, Gustav Mahler in particular repeatedly reached new dimensions with his symphonies, both in terms of content and in questions of instrumentation and the expansion of traditional formal schemes.

Long before his »Symphony of a Thousand« he wrote a work of unprecedented proportions: the »3. Symphony« from the years 1895-96. Unlike his other symphonies, the Third is downright optimistic, looking at the world in its totality of nature and life. Mahler himself aptly called it a »summer afternoon dream« — a perfect start to the new concert season!

English

Nach Ludwig van Beethovens neun Sinfonien — und speziell nach seiner überwältigenden Neunten mit der »Ode an die Freude« — scheinen die Grenzen, Gestalt und Aufbau einer Sinfonie endgültig ›gesprengt‹. Zahlreiche Komponisten arbeiten sich am übermächtigen Schatten Beethovens ab und kreieren Werke, die neue Wege weisen. Gerade Gustav Mahler erreicht im ausgehenden 19. Jahrhundert mit seinen Sinfonien immer wieder neue Dimensionen, sowohl auf inhaltlicher Seite, aber auch in Fragen der Besetzung und Ausweitung traditioneller Formschemata.

Lange vor seiner »Sinfonie der Tausend« schreibt er ein Werk von bis dahin un-erhörtem Ausmaß: die »3. Sinfonie« aus den Jahren 1895-96. Im Gegensatz zu seinen anderen Sinfonien ist die Dritte regelrecht optimistisch, ein Blick auf die Welt in ihrer Ganzheit aus Natur und Leben. Mahler selbst nannte sie treffend einen »Sommermittagstraum« — ein perfekter Start in die neue Konzertsaison!

Deutsch

1. Philharmonisches konzert by Mahler, De la (2023/2023), Dirijor Felix Bender, Salome Rebello, Theater Ulm, Ulm, Germany

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