Organization

Conductor

Andreas Hotz

Theater Osnabrück

Orchestra

Osnabrücker Symphonieorchester

1. Schlosskonzert

Osnabrück

Germany

Public

Serenade No. 7 in D major, K 250

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Singer

Bass

Baritone

Soprano

Tenor

Bass-baritone

Contralto

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Mozart arranged evening music in various ways in Salzburg. His service at the court of the Salzburg prince-bishop required regular evening music in his residence directly opposite the cathedral. These concerts opened with a symphony and ended with another symphony. In between there were solo interludes in the form of arias and solo concerts. As another form of evening music, Mozart composed his own full-length works in the form of serenades for notables of the city. The three palace concerts are dedicated to these different evening music events. They reconstruct two possible concerts with symphonies and arias by Mozart that took place at the archbishop's court. Another concert features Mozart's Haffner Serenade. Mozart created it for the hen party of Sigmund Haffner's daughter Maria Elisabeth with the Tyrolean innkeeper's son Franz Xaver Späth, which took place on July 21, 1776. This music would be far too beautiful for today's bachelorette parties!

English

Mozart hat in Salzburg in verschiedener Weise Abendmusiken gestaltet. Sein Dienst am Hof des Salzburger Fürstbischofs verlangte regelmäßige Abendmusiken in dessen Residenz direkt gegenüber vom Dom. Diese Konzerte wurden mit einer Sinfonie eröffnet und endeten mit einer weiteren Sinfonie. Dazwischen gab es solistische Einlagen in Form von Arien und Solokonzerten. Als eine andere Form von Abendmusik komponierte Mozart für Honoratioren der Stadt eigene abendfüllende Werke in Form von Serenaden. Die drei Schlosskonzerte widmen sich diesen verschiedenen abendlichen Musikveranstaltungen. Sie rekonstruieren zwei mögliche Konzerte mit Sinfonien und Arien Mozarts, die am erzbischöflichen Hof stattfanden. In einem weiteren Konzert erklingt Mozarts Haffner-Serenade. Mozart schuf sie für den Polterabend von Sigmund Haffners Tochter Maria Elisabeth mit dem Tiroler Wirtssohn Franz Xaver Späth, der am 21. Juli 1776 stattfand. Für heutige Polterabende wäre diese Musik viel zu schön!

Deutsch

1. Schlosskonzert by Mozart, Alates (2024/2024), Dirigent Andreas Hotz

Etenduse krediiti (Näitlejad ja meeskond )

Ansambel

Programm, teave ja kokkuvõte

Lisalugemist

Esinemiskuupäevad ja -kohad

Etenduspaigad