Name: 1. Sinfoniekonzert, Mensch - Mythos - Musik
Start: 2023-10-20T00:00:00.000Z
End: 2023-10-20T00:00:00.000Z
Location: Hochschule für Musik

Organization

Conductor

Enrico Calesso

Instrumentalist

Olga Scheps

Piano

Mainfranken Theater Würzburg

Orchestra

Philharmonisches Orchester Würzburg

1. Sinfoniekonzert, Mensch - Mythos - Musik

Karlsruhe

Germany

Hochschule für Musik

1. Sinfoniekonzert, Mensch - Mythos - Musik: Orfeo ed Euridice Gluck (+1 More)

Public

Orpheus and Eurydice

Piano Concerto No. 4 in G Major, op. 58

Approved

Bass

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Contralto

Singer

Countertenor

Mezzo-soprano

Baritone

Soprano

Tenor

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Das Philharmonische Orchester Würzburg wandelt zur Eröffnung der Konzertsaison 21/22 auf den mythologischen Pfaden der Musik. Den Auftakt hierzu gibt die Ouvertüre zu Christoph Willibald Glucks „Orfeo ed Euridice“. Die 1762 uraufgeführte Oper fasst die Geschichte von Orpheus, der die Götter der Unterwelt mit seinem Gesang besänftigt, um seine geliebte Eurydike ins Leben zurückzuholen, in gleichermaßen packende wie berührende Musik.

Das Wechselspiel komplementärer Prinzipien wendet Ludwig van Beethoven in der Anlage seines vierten Klavierkonzerts an, indem er die etablierte Form des Solokonzerts um den Aspekt des Sinfonischen erweitert. Eine verführerische Begegnung zwischen Apoll, dem Gott der Musik, und den Musen der Poesie, der Hymnendichtung und des Tanzes wartet in Strawinskys Ballettsuite zu „Apollon musagète“ von 1927/28.

Deutsch

At the opening of the 21/22 concert season, the Würzburg Philharmonic Orchestra is walking the mythological paths of music. The prelude to this is the overture to Christoph Willibald Gluck's "Orfeo ed Euridice". The opera, which premiered in 1762, tells the story of Orpheus, who appeases the gods of the underworld with his singing in order to bring his beloved Eurydice back to life, in music that is as gripping as it is touching.

Ludwig van Beethoven uses the interplay of complementary principles in the structure of his fourth piano concerto by expanding the established form of the solo concerto to include the symphonic aspect. A seductive encounter between Apollo, the god of music, and the muses of poetry, hymns and dance awaits in Stravinsky's ballet suite to "Apollon musagète" from 1927/28.

English

1. Sinfoniekonzert, Mensch - Mythos - Musik by Gluck, Beethoven, Alkaen (2023/2023), Musiikinjohto Enrico Calesso, Hochschule für Musik, Karlsruhe, Germany

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