Name: 2. Sinfoniekonzert
Start: 2023-10-08T00:00:00.000Z
End: 2023-10-09T00:00:00.000Z
Location: Staatstheater

Organization

Conductor

Hendrik Vestmann

Cellist

Alban Gerhardt

Cello

Oldenburgisches Staatstheater

Orchestra

Oldenburgisches Staatsorchester

2. Sinfoniekonzert

Oldenburg

Germany

Staatstheater

Großes Haus

Public

Prélude Solennel

Cello Concerto in B Minor, op.104

Symphony in D minor

Approved

Bass

Instrumentalist

Pianist

Violinist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Mezzo-soprano

Singer

Contralto

Countertenor

Tenor

Baritone

Bass-baritone

Soprano

Spoken

Child vocalist

Silent

Alto

Continuo

With his 'Prélude Solennel', Eduard Tubin created a musical commitment to his home country from Estonian melodies before fleeing the Russian invasion in 1944 to Sweden.

In the “New World”, wistfully thinking about his native Bohemia, Antonín Dvořák wrote one of the most popular cello concertos of all time in the winter of 1894/95. Alban Gerhardt plays the solo part in Oldenburg, whom The Guardian praised as "one of the most subtle cellists far and wide": "expressive, without gimmickry and noble."

In the 1880s, the Parisian Société Nationale de Musique fought for an upscale French style of music in contrast to growing "decadence". In this sense, Société member César Franck wrote his only symphony shortly before the end of his life, in which he clearly shows with a central quotation from Beethoven that “national” does not have to mean “nationalistic” by any means.

English

Aus estnischen Melodien schuf Eduard Tubin mit seinem ‚Prélude Solennel‘ ein identitätsstiftendes musikalisches Bekenntnis zu seinem Heimatland, bevor er 1944 vor der russischen Invasion nach Schweden floh.

In der „Neuen Welt“ wehmutsvoll an das heimatliche Böhmen denkend, schrieb Antonín Dvořák im Winter 1894 / 95 eines der beliebtesten Cellokonzerte aller Zeiten. In Oldenburg spielt den Solopart Alban Gerhardt, den ‚The Guardian‘ als „einen der weit und breit feinsinnigsten Cellisten“ rühmte: „ausdrucksstark, ohne Effekthascherei und edel.“

In den 1880er-Jahren kämpfte die Pariser Société nationale de Musique um einen gehobenen französischen Musikstil in Abgrenzung zu wachsender „Décadence“. In diesem Sinne schrieb auch Société-Mitglied César Franck kurz vor Lebensende seine einzige Sinfonie, in der er mit einem zentralen Beethovenzitat deutlich zeigt, dass „national“ noch lange nicht „nationalistisch“ bedeuten muss.

Deutsch

2. Sinfoniekonzert by Tubin, Dvořák, Franck, Alates (2023/2023), Dirigent Hendrik Vestmann, Staatstheater, Oldenburg, Germany

Etenduse krediiti (Näitlejad ja meeskond )

Ansambel

Programm, teave ja kokkuvõte

Lisalugemist

Esinemiskuupäevad ja -kohad

Etenduspaigad