Name: 3. Philharmonisches Konzert
Start: 2024-02-04T00:00:00.000Z
End: 2024-02-07T00:00:00.000Z
Location: Theater Ulm

Organization

Ulm Theater

Direzione d'orchestra

Felix Bender

Strumento

Pianista

Sophie Pacini

Piano

Orchestra

Philharmonische Orchester der Stadt Ulm

3. Philharmonisches Konzert

Ulma

Germania

Theater Ulm

Foyer

Public

Vers la voûte étoilée, op. 129

Concerto per pianoforte n. 1 in mi minore, op. 11

Sinfonia n. 41 in do maggiore, K. 551 ("Giove")

Approvato

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chorus Director

Composizione

Coreografia

Coro

Costumi

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Soprano

Cantante

Baritono

Basso-baritono

Tenore

Mezzosoprano

Controtenore

Contralto

Basso

Alto

Continuo

Mimi

Narrazione

Voce bianca

Charles Koechlin from Alsace actually wanted to be an astronomer. But things turned out differently and he became a composer. As a student of Jules Massenet and Gabriel Fauré, he is often associated with the late Romantic era, but the music of this color magician goes far beyond such a categorization. His passion for the stars is reflected in »Vers la voûte étoilée« (»By looking at the starry universe«) — a nocturne for orchestra.

Before Wolfgang Amadeus Mozart's last symphony, which later bears the nickname "Jupiter Symphony", lifts the concerto into almost divine spheres, the master of the nocturnes has his say: Frédéric Chopin. In addition to all his masterpieces for solo piano, it is also the two piano concertos by the 20-year-old that have conquered the concert hall. The »1 Piano Concerto in E minor« is said to be the aftertaste of Chopin's first great love. The young pianist and »Opus Klassik« award winner Sophie Pacini can be heard at the piano.

English

Eigentlich wollte der Elsässer Charles Koechlin Astronom werden. Es kam aber anders und er wurde Komponist. Als Schüler von Jules Massenet und Gabriel Fauré wird er gerne der Spätromantik zugeordnet, die Musik dieses Farbmagiers weist aber weit über solch eine Kategorisierung hinaus. Seine Leidenschaft für die Sterne spiegelt sich in »Vers la voûte étoilée« (»Beim Anblick des Sternenuniversums«) wider — ein Nocturne für Orchester.

Bevor Wolfgang Amadeus Mozarts letzte Sinfonie, die den später hinzugefügten Beinamen »Jupiter-Sinfonie« trägt, das Konzert in nahezu göttliche Sphären hebt, kommt der Meister der Nocturnes zu Wort: Frédéric Chopin. Neben all seinen Meisterwerken für Solo-Klavier sind es auch die beiden Klavierkonzerte des gerade 20-Jährigen, die den Konzertsaal erobert haben. Das »1. Klavierkonzert, e-Moll« ist angeblich der Nachklang Chopins erster großer Liebe. Am Flügel ist die junge Pianistin und »Opus Klassik«-Preisträgerin Sophie Pacini zu erleben.

Deutsch

3. Philharmonisches Konzert by Koechlin, C., Chopin, Mozart, Da (2024/2024), Direttore d'orchestra Felix Bender, Theater Ulm, Ulma, Germania

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