Name: 3. Sinfoniekonzert
Start: 2023-11-16T00:00:00.000Z
End: 2023-11-17T00:00:00.000Z
Location: Opernhaus

Organization

Conductor

Pawel Poplawski

Singer

Thomas Kapun

Flute

Henning Ahlers

Oboe

Georg Dengel

clarinet

Gerd Becker

Bassoon

Theater Magdeburg

Orchestra

Magdeburg Philharmonic

3. Sinfoniekonzert

Magdeburg

Germany

Opernhaus

Bühne

Private

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Countertenor

Mezzo-soprano

Bass-baritone

Baritone

Contralto

Tenor

Soprano

Alto

Child vocalist

Continuo

Silent

Spoken

As every year, the program of the 3rd symphony concert offers surprising and stimulating insights into the composition laboratories of very different contemporary composers. The focus is on the premiere of a composition that the festival commissioned from Rino Murakami for the four solo woodwind players of the Magdeburg Philharmonic – Thomas Kapun, Henning Ahlers, Georg Dengel and Gerd Becker. The young Japanese composer, who also appears as a vocal performer, is particularly interested in the connection between voice and instrumental sound, which is particularly promising in a composition for wind instruments. This new work is juxtaposed with a modern classic for the same instrumentation:
The two concerts are framed by orchestral works by the Russian-Swedish composer Victoria Borisova-Ollas and the two East German composers Johann Cilenšek and Steffen Schleiermacher, whose composition spans a period between 1964 and 2017.

English

Wie jedes Jahr bietet das Programm des 3. Sinfoniekonzerts überraschende und anregende Einblicke in die Kompositionslabore sehr unterschiedlicher zeitgenössischer Komponist:innen. Im Zentrum steht die Uraufführung einer Komposition, die das Festival für die vier Solo-Holzbläser der Magdeburgischen Philharmonie – Thomas Kapun, Henning Ahlers, Georg Dengel und Gerd Becker – bei Rino Murakami in Auftrag gegeben hat. Die junge japanische Komponistin, die auch als Vokal-Performerin auftritt, interessiert sich besonders für die Verbindung von Stimme und Instrumentalklang, was bei einer Komposition für Blasinstrumente besonders vielversprechend ist. Diesem neuen Werk wird ein moderner Klassiker für dieselbe Besetzung gegenübergestellt: Jean Françaix’ Quadruple Concerto aus dem Jahre 1936 ist dem neoklassischen Stil dieses französischen Komponisten verpflichtet.
Gerahmt werden die beiden Konzerte durch Orchesterwerke der russisch-schwedischen Komponistin Victoria Borisova-Ollas sowie der beiden ostdeutschen Komponisten Johann Cilenšek und Steffen Schleiermacher, deren Entstehung einen Zeitraum zwischen 1964 und 2017 umspannt.

Deutsch

3. Sinfoniekonzert by Various, Frá (2023/2023), Hljómsveitarstjóri Pawel Poplawski, Opernhaus, Magdeburg, Germany

Frammistaða áskriftir (Leikarar & starfslið )

Leikarar

Hljómsveit

Dagskrá, Um & Yfirlit

Frekari lestur

Sýningardagsetningar og sýningarstaðir

Staðir