Name: 3. Sinfoniekonzert «die Ernste Tonart»
Start: 2023-11-27T00:00:00.000Z
End: 2023-11-28T00:00:00.000Z
Location: Stadttheater Bremerhaven

Organization

Conductor

Marc Niemann

Instrumentalist

Matthias Kirschnereit

Piano

Stadttheater Bremerhaven

Orchestra

Bremerhaven Philharmonic Orchestra

3. Sinfoniekonzert «die Ernste Tonart»

Bremen

Germany

Grosses Haus

Public

Symphony in D minor

Piano Concerto No.20 KV 466

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Singer

Soprano

Mezzo-soprano

Bass

Countertenor

Contralto

Tenor

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

3. Sinfoniekonzert «die Ernste Tonart»: Symphony in D minor Rachmaninoff (+2 More)

The key of D minor connects the works of our November concert, which, according to the season, tends to draw with darker colors. At the age of seventeen, Sergei Rachmaninoff wrote the first movement of his youthful symphony , which remained a fragment, which neither denied Tchaikovsky's model nor foreshadowed the later sound magician.
In his 20th Piano Concerto, Wolfgang Amadeus Mozart completely reinvented himself as a composing soloist, so that his father "tears in his eyes". In doing so, he opened up areas of romantic music-making that still touch our hearts to this day.
Throughout his life, César Franck followed his own individual compositional paths. At the end of his life he once again set out for new shores and presented his only symphony. This symphony in D minor stylistically combines the German with the French style and fascinates with its idiosyncratic harmony, the unusual shape and the use of leitmotifs reminiscent of Berlioz and Wagner.

English

Die Tonart d-Moll verbindet die Werke unseres Novemberkonzertes, das der Jahreszeit entsprechend eher mit dunkleren Farben zeichnet. Mit siebzehn Jahren schrieb Sergei Rachmaninow den ersten Satz seiner Fragment gebliebenen Jugendsinfonie, die das Vorbild Tschaikowskis ebenso wenig verleugnet, wie sie den späteren Klangzauberer vorausahnen lässt.
In seinem 20. Klavierkonzert erfand sich Wolfgang Amadeus Mozart als komponierender Solist ganz neu, so dass seinem Vater «Tränen in den Augen standen». Dabei erschloss er sich Bereiche eines romantischen Musizierens, die uns bis heute zu Herzen gehen.
César Franck hat Zeit seines Lebens eigene, individuelle kompositorische Wege verfolgt. Am Ende seines Lebens hat er sich noch einmal zu neuen Ufern aufgemacht und seine einzige Sinfonie vorgelegt. Diese Symphonie d-Moll verbindet stilistisch den deutschen mit dem französischen Stil und fasziniert durch ihre eigenwillige  Harmonik, die ungewöhnliche Formgebung und den an Berlioz wie Wagner erinnernden Gebrauch von Leitmotiven.

Deutsch

3. Sinfoniekonzert «die Ernste Tonart» by Rachmaninoff, Mozart, Franck, Frá (2023/2023), Hljómsveitarstjóri Marc Niemann, Stadttheater Bremerhaven, Bremen, Germany

Frammistaða áskriftir (Leikarar & starfslið )

Hljómsveit

Dagskrá, Um & Yfirlit

Ljósmyndir

Frekari lestur

Sýningardagsetningar og sýningarstaðir

Staðir