Name: 3. Sinfoniekonzert «die Ernste Tonart»
Start: 2023-11-27T00:00:00.000Z
End: 2023-11-28T00:00:00.000Z
Location: Stadttheater Bremerhaven

Organization

Direzione d'orchestra

Marc Niemann

Strumento

Matthias Kirschnereit

Piano

Stadttheater Bremerhaven

Orchestra

Bremerhaven Philharmonic Orchestra

3. Sinfoniekonzert «die Ernste Tonart»

Brema

Germania

Grosses Haus

Public

Symphony in D minor ("Youth Symphony"), ISR 69

Concerto per pianoforte n. 20 in re minore, K. 466

Sinfonia in re minore, FWV 48

Approvato

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Costumi

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Basso-baritono

Cantante

Controtenore

Contralto

Baritono

Mezzosoprano

Basso

Soprano

Tenore

Alto

Mimi

Narrazione

Voce bianca

3. Sinfoniekonzert «die Ernste Tonart»: Symphony in D minor Rachmaninoff (+2 More)

The key of D minor connects the works of our November concert, which, according to the season, tends to draw with darker colors. At the age of seventeen, Sergei Rachmaninoff wrote the first movement of his youthful symphony , which remained a fragment, which neither denied Tchaikovsky's model nor foreshadowed the later sound magician.
In his 20th Piano Concerto, Wolfgang Amadeus Mozart completely reinvented himself as a composing soloist, so that his father "tears in his eyes". In doing so, he opened up areas of romantic music-making that still touch our hearts to this day.
Throughout his life, César Franck followed his own individual compositional paths. At the end of his life he once again set out for new shores and presented his only symphony. This symphony in D minor stylistically combines the German with the French style and fascinates with its idiosyncratic harmony, the unusual shape and the use of leitmotifs reminiscent of Berlioz and Wagner.

English

Die Tonart d-Moll verbindet die Werke unseres Novemberkonzertes, das der Jahreszeit entsprechend eher mit dunkleren Farben zeichnet. Mit siebzehn Jahren schrieb Sergei Rachmaninow den ersten Satz seiner Fragment gebliebenen Jugendsinfonie, die das Vorbild Tschaikowskis ebenso wenig verleugnet, wie sie den späteren Klangzauberer vorausahnen lässt.
In seinem 20. Klavierkonzert erfand sich Wolfgang Amadeus Mozart als komponierender Solist ganz neu, so dass seinem Vater «Tränen in den Augen standen». Dabei erschloss er sich Bereiche eines romantischen Musizierens, die uns bis heute zu Herzen gehen.
César Franck hat Zeit seines Lebens eigene, individuelle kompositorische Wege verfolgt. Am Ende seines Lebens hat er sich noch einmal zu neuen Ufern aufgemacht und seine einzige Sinfonie vorgelegt. Diese Symphonie d-Moll verbindet stilistisch den deutschen mit dem französischen Stil und fasziniert durch ihre eigenwillige  Harmonik, die ungewöhnliche Formgebung und den an Berlioz wie Wagner erinnernden Gebrauch von Leitmotiven.

Deutsch

3. Sinfoniekonzert «die Ernste Tonart» by Rachmaninoff, Mozart, Franck, Da (2023/2023), Direttore d'orchestra Marc Niemann, Stadttheater Bremerhaven, Brema, Germania

Crediti di rappresentazione (Cast e team di produzione )

Ensemble

Programma, informazioni e sinossi

Foto

Ulteriori letture

Date e sedi delle rappresentazioni

Sedi