Name: 8. Philharmonisches Konzert
Start: 2024-06-12T00:00:00.000Z
End: 2024-06-13T00:00:00.000Z
Location: Theater Heidelberg

Organization

Conductor

Christoph König

Instrumentalist

Sascha Stinner

Clarinet

Hitomi Wilkening

Bassoon

Jessica Armstrong

Horn

Orchestra

Heidelberg Theater and Orchestra

Theater und Orchester Heidelberg

8. Philharmonisches Konzert

Heidelberg

Germany

Theater Heidelberg

Public

Leonora Overture No. 3, op.72b

Sinfonia concertante in E-flat major, K.297b

Symphony No.2 in D major, op. 35

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Singer

Tenor

Bass

Soprano

Bass-baritone

Baritone

Contralto

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Musikalische Leitung
N. N.
Philharmonisches Orchester Heidelberg
Das Programm des 8. Philharmonischen Konzerts wird zu einem späteren Zeitpunkt bekannt gegeben.

Deutsch

»The delivery of this brainchild of mine caused me the biggest pains and the biggest trouble of all,« Beethoven said about »Fidelio«, his only opera, originally titled »Leonore«. He spent nine years brooding intensively over this opus, creating four different overtures in the process. The third one is from 1806. It is a musical sketch of the narrative, highlighting moods and fluctuations in vibrant orchestral colours.

Mozart’s Sinfonia Concertante is created in Paris. From letters to his father, we know that he composed it for four wind soloists. Their authenticity, however, is controversial: There is only one copy of it from 1869. Nevertheless, the Sinfonia is typical for Mozart, it is played regularly and captures audiences time and again.

Born in 1804, Louise Farrenc is the daughter of a Parisian family of artists that supports her career path. She would be the first woman to be appointed to a professorship of piano at the Conservatoire de Paris, but faced significant barriers nonetheless. Apart from her chamber music compositions, Louise Farrenc wrote three symphonies. Dating back to 1845, her second symphony, despite its partly romantic expression, stands in the tradition of Ludwig van Beethoven.

English

8. Philharmonisches Konzert by Beethoven, Mozart, Farrenc, L., Noiztik (2024/2024), Zuzendaria Christoph König, Theater Heidelberg, Heidelberg, Germany

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