Organization

Dyrygent

Sébastien Rouland

Śpiewak

Sopran

Olivia Doray

Soprano

Baryton

Max Dollinger

Baritone

Saarländisches Staatstheater

Orchestra

Saarländische Staatsorchester

Others

Vokalensemble 83

8. Sinfoniekonzert - Von Der Ewigkeit

Sankt Ingbert

Niemcy

Industriekathedrale Alte Schmelz

8. Sinfoniekonzert Von Der Ewigkeit: Concert Various

Public

Private

Requiem

Symphony No. 6 in B Minor, op. 74 ("Pathétique")

Approved

Max Dollinger als Bariton-Solist im Fauré-Requiem

Portrait - Max Dollinger, Bariton

Gabriel Fauré's Requiem occupies a special position among the funeral masses - lovingly and optimistically it finds a musical language that speaks of the transition to the afterlife. This was of central importance to Fauré himself, who described his composition as "dominated by human trust in eternity". Thus the work does not contain the traditional »Dies irae« (Day of Wrath), but ends with the non-liturgical »In paradisum« (In Paradise).

Peter Tchaikovsky's 6th Symphony also speaks of transience - the final movement shows musical proximity to a Requiem - and the unexpected death of the composer a few days after the premiere contributed to the creation of myths. But although Tchaikovsky was plagued by self-doubt throughout his life, he confessed about his last composition: »It seems to me that I succeeded in writing this symphony. I put my whole soul into it, to say it without exaggeration.« This is how the hope for reconciliation arises in the symphony.

English

Gabriel Fauré Requiem op. 48
Peter Iljitsch Tschaikowsky 6. Sinfonie h-Moll op. 74 (»Pathétique«)

Deutsch

8. Sinfoniekonzert - Von Der Ewigkeit by Fauré, Tchaikovsky, P. I., od (2023/2023), Dyrygent Sébastien Rouland, Industriekathedrale Alte Schmelz, Sankt Ingbert, Niemcy

Udział w spektaklu (Obsada & realizacja )

Obsada

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca