Name: 8th Symphony Concert
Start: 2023-06-08T00:00:00.000Z
End: 2023-06-18T00:00:00.000Z
Location: Am Mausoleum

Organization

Direction d'orchestre

Markus L. Frank

Chanteur

Anastasia Kobekina

Cello

Violoncello

Violin

Anhaltisches Theater Dessau

Orchestra

Anhaltische Philharmonie Dessau

8th Symphony Concert

Dessau

Allemagne

Am Mausoleum

Public

Serenade No.2, Op.14

Concerto for Cello, Wind Orchestra and Band, Op. 129

Symphonie n° 2 en ré majeur, op. 36

Valide

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Autre

Choeur

Chorus Director

Chorégraphie

Coach vocal

Coiffure

Compositeur

Costumes

Danse

Diffusion

Direction de choeur

Dramaturgie

Décors

En charge de la production

Extra

Illustrator

Livret

Lumières

Maquillage

Mise en scène

Orchestra Operations

Orchestre

Photographer

Poet

Prof

Répétiteur

Stage Manager

Traduction

Video

Wig & Makeup Designer

Writer

Writing and performance

Baryton-basse

Baryton

Soprano

Ténor

Contre-ténor

Basse

Mezzo-soprano

Contralto

Alto

Continuo

Rôle muet

Rôle parlant

Voix d'enfant

He was a gifted pianist, and his interpretations of the piano works by Bach, Mozart, Beethoven and Schubert set standards. But Friedrich Gulda (1930-2000), notorious for his eccentricities and his self-portrayal, also played jazz and saw himself as a bridge builder between classic, jazz and pop. The crossover idea is also alive in the compositions of the improvisation artist Gulda. He wrote the Cello Concerto in 1980 for the cellist Heinrich Schiff. With a lack of restraint bordering on impudence, Gulda uses the stylistic reservoir of music history in this work with virtuosity, whereby the associations and allusions range from the classic minuet to Schubert and Mahler to rock & pop and folksy brass music - great fun! At least the finale of Beethoven's 2nd Symphony (1801/02) can also be described as great fun. This music hits hook after hook and is imbued with a witty, somewhat riotous sense of humour. And the short scherzo also lives up to its name. The first two movements of the symphony are weightier and more serious. But even in them, a predominantly cheerful and relaxed tone prevails. So ideal for cultivated entertainment on a warm summer evening! Just like the start of the program: the charming 2nd String Serenade (1876) by Robert Fuchs, who went down in music history as the »Serenade Fox« and as a teacher of numerous Austrian composers from Leo Fall to Gustav Mahler to Alexander Zemlinsky. This music hits hook after hook and is imbued with a witty, somewhat riotous sense of humour. And the short scherzo also lives up to its name. The first two movements of the symphony are weightier and more serious. But even in them, a predominantly cheerful and relaxed tone prevails. So ideal for cultivated entertainment on a warm summer evening! Just like the start of the program: the charming 2nd String Serenade (1876) by Robert Fuchs, who went down in music history as the »Serenade Fox« and as a teacher of numerous Austrian composers from Leo Fall to Gustav Mahler to Alexander Zemlinsky. This music hits hook after hook and is imbued with a witty, somewhat riotous sense of humour. And the short scherzo also lives up to its name. The first two movements of the symphony are weightier and more serious. But even in them, a predominantly cheerful and relaxed tone prevails. So ideal for cultivated entertainment on a warm summer evening! Just like the start of the program: the charming 2nd String Serenade (1876) by Robert Fuchs, who went down in music history as the »Serenade Fox« and as a teacher of numerous Austrian composers from Leo Fall to Gustav Mahler to Alexander Zemlinsky. But even in them, a predominantly cheerful and relaxed tone prevails. So ideal for cultivated entertainment on a warm summer evening! Just like the start of the program: the charming 2nd String Serenade (1876) by Robert Fuchs, who went down in music history as the »Serenade Fox« and as a teacher of numerous Austrian composers from Leo Fall to Gustav Mahler to Alexander Zemlinsky. But even in them, a predominantly cheerful and relaxed tone prevails. So ideal for cultivated entertainment on a warm summer evening! Just like the start of the program: the charming 2nd String Serenade (1876) by Robert Fuchs, who went down in music history as the »Serenade Fox« and as a teacher of numerous Austrian composers from Leo Fall to Gustav Mahler to Alexander Zemlinsky.

English

Er war ein begnadeter Pianist, seine Interpretationen der Klavierwerke von Bach, Mozart, Beethoven oder Schubert setzten Maßstäbe. Doch Friedrich Gulda (1930–2000), berüchtigt für seine Exzentrik und seine Selbstinszenierungen, spielte auch Jazz und verstand sich als Brückenbauer zwischen Klassik, Jazz und Pop. Auch in den Kompositionen des Improvisationskünstlers Gulda ist der Crossover-Gedanke lebendig. Das Cellokonzert schrieb er 1980 für den Cellisten Heinrich Schiff. Mit an Frechheit grenzender Hemmungslosigkeit bedient sich Gulda in diesem Werk virtuos aus dem stilistischen Reservoir der Musikgeschichte, wobei die Assoziationen und Anspielungen vom klassischen Menuett über Schubert und Mahler bis zu Rock & Pop und zur volkstümlichen Blasmusik reichen – ein einziger großer Spaß! Zumindest das Finale von Beethovens 2. Sinfonie (1801/02) kann man durchaus auch als einen großen Spaß bezeichnen. Diese Musik schlägt einen Haken nach dem anderen und ist durchdrungen von einem geistreichen, etwas poltrigen Humor. Und auch das kurze Scherzo macht seinem Namen alle Ehre. Gewichtiger und ernsthafter geben sich die beiden ersten Sätze der Sinfonie. Doch auch in ihnen herrscht ein überwiegend heiterer und entspannter Grundton vor. Also ideal für gepflegte Unterhaltung an einem lauen Sommerabend! Genau wie der Auftakt des Programms: die reizvolle 2. Streicherserenade (1876) von Robert Fuchs, der als »Serenaden-Fuchs« in die Musikgeschichte einging sowie als Lehrer zahlreicher österreichischer Komponisten von Leo Fall über Gustav Mahler bis Alexander Zemlinsky.

Deutsch

8th Symphony Concert by Fuchs, Robert, Gulda, Friedrich, Beethoven, Du (2023/2023), Chef d'orchestre Markus L. Frank, Am Mausoleum, Dessau, Allemagne

Crédits de représentation (Distribution et équipe de production )

Distribution

Ensemble

Programme, À Propos & Synopsis

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles