Name: A Night At The Opera
Start: 2025-03-08T00:00:00.000Z
End: 2025-03-08T00:00:00.000Z
Location: Meridian Arts Centre

Admin

Kindred Spirits Orchestra

Conductor

Kristian Alexander

Orchestra

Instrumentalist

Heng-Han Hou

Violin

A Night At The Opera

Toronto

Canada

Meridian Arts Centre

George Weston

A Night At The Opera: Carmen Suite No.2 Bizet (+2 More)

Public

Concert

Carmen Suite No.2

Violin Concerto No.1, Sz.36

Symphony No. 6 in A Major

Saileshwaran Thirumurthy

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Singer

Countertenor

Bass-baritone

Bass

Mezzo-soprano

Tenor

Soprano

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Bizet’s second Carmen Suite includes several well-known tunes from the eponymous opera, including the Habanera, with its characteristic snaking chromatic lines representing Carmen’s seductive wiles, and the rousing Toreador song. Heng-Han Hou then performs Bartók’s Concerto for Violin and Orchestra No. 1. This work, relatively early in Bartok’s career, is more traditional than his later works, employing a two-movement rhapsodic form of a slow section followed by a fast one—similar to the Cabaletta form used in classical opera. Of Bruckner’s Sixth Symphony, Robert Simpson remarks that “its themes are exceptionally beautiful…its instrumentation is the most imaginative [Bruckner] had yet achieved, and it possesses a mastery of classical form that might even have impressed Brahms.” Typically Brucknerian, the symphony features a driving “Bruckner Rhythm” consisting of two quarter notes followed by a triplet, and an extensive use of harmonic ambiguity to quickly slide between different key areas.

English

A Night At The Opera by Bizet, Bartók, Bruckner, Aπό (2025/2025), αγωγός Kristian Alexander, Meridian Arts Centre, Toronto, Canada

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