Name: A Prokofiev Feast With Iván Fischer
Start: 2025-02-14T00:00:00.000Z
End: 2025-02-14T00:00:00.000Z
Location: Kölner Philharmonie

Admin

Concertgebouworkest

Kölner Philharmonie

Conductor

Iván Fischer

Orchestra

Instrumentalist

Pianist

Nelson Goerner

Piano

A Prokofiev Feast With Iván Fischer

Cologne

Germany

Public

Concert

Overture On Hebrew Themes, Op. 34

Cinderella

Piano Concerto No. 2

Jnanakumar P

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Singer

Soprano

Countertenor

Contralto

Tenor

Bass

Bass-baritone

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Sergey Prokofiev’s tremendous versatility can be appreciated only when multiple works of his are heard side by side. This concert by the Concertgebouw Orchestra under the direction of honorary guest conductor Iván Fischer is the perfect opportunity. 

The Overture on Hebrew Themes is friendly, playful and folkloric. By contrast, the Piano Concerto No. 2 features all the shock effects that made Prokofiev famous. The music is like that of a wicked fairy tale, but can also be heard as the missing link between Rachmaninoff and the brutal ‘machine music’ of the 1920s. The work is rarely performed live owing to the extremely difficult piano part. Nelson Goerner is one of few to venture such a performance. Hearing the Argentine pianist in concert is invariably an unforgettable experience. 

With the ballet Cinderella (based on Perrault’s ‘Cendrillon’), Prokofiev proved himself a worthy successor to Tchaikovsky – and was even heralded as ‘the new waltz king’ by a Russian critic at the time. Performed less frequently than Prokofiev’s earlier ballet Romeo and Juliet, it nevertheless features the same compelling blend of elegance, whimsy and magical orchestral colour. Prokofiev himself claimed it contains some of the best passages he ever composed.

English

A Prokofiev Feast With Iván Fischer by Prokofiev, S. S., Prokofiev, De (2025/2025), Director musical Iván Fischer, Kölner Philharmonie, Cologne, Germany

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