Name: Academie konzert: Mozart in mailand
Start: 2023-04-15T00:00:00.000Z
End: 2023-04-15T00:00:00.000Z
Location: Haus der Musik

Organization

Tiroler Landestheater

Conductor

Fabio Biondi

Singer

Violin

Orchestra

Tiroler Symphonieorchester Innsbruck

Academie konzert: Mozart in mailand

Innsbruck

Austria

Haus der Musik

Großer Saal

Academie konzert: Mozart in mailand: Concert

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Tenor

Contralto

Bass

Mezzo-soprano

Bass-baritone

Soprano

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Wolfgang Amadé Mozart's early symphonies, written for and in Milan as a boy, still follow the Italian "Sinfonia", the three-part form of the opera overture, which was becoming more and more independent in the concert hall at the time. So what could be more obvious than to garnish Mozart's youthful and imaginative pieces with selected examples from Italy during this exciting time of the development of new forms and content? Carlo Monza, Cathedral Kapellmeister in Milan, also created more than twenty operas and a sea storm sinfonia discovered by Maestro Fabio Biondi, in which not only the force of nature but also the storm and stress simmers. Monza's teacher was Sammartini, who was highly valued by everyone and also by Mozart, and was a key driving force behind early classical music. Angelo Maria Scaccia was an innovative violin virtuoso of the late Baroque period and little is known about Antonio Brioschi other than that his music was very popular. Like his colleagues, he understood a great deal about spirit, wit and melody.

English

Wolfgang Amadé Mozarts frühe, noch im Knabenalter für und in Mailand geschriebene Symphonien folgen noch ganz der italienischen „Sinfonia“, der dreiteiligen Form der Opernouvertüre, die sich damals immer mehr im Konzertsaal verselbständigte. Was liegt also näher, als Mozarts jugendfrische und einfallsreiche Stücke mit ausgewählten Beispielen aus dem Italien dieser spannenden Zeit der Entwicklung neuer Formen und Inhalte zu garnieren? Carlo Monza, Domkapellmeister in Mailand, schuf auch mehr als zwanzig Opern und eine von Maestro Fabio Biondi entdeckte Meeresstürme-Sinfonia, in der nicht nur die Naturgewalt, sondern auch schon die Sturm- und Drangzeit brodelt. Monzas Lehrer war der allseits und auch von Mozart sehr geschätzte Sammartini, ein wesentlicher Impulsgeber der frühen Klassik. Angelo Maria Scaccia war ein innovativer Violinvirtuose des späten Barock und über Antonio Brioschi weiß man nicht viel mehr, als dass seine Musik sehr beliebt war. Wie seine Kollegen verstand auch er viel von Geist, Witz und Melodie.

Deutsch

Academie konzert: Mozart in mailand by Various, Fra (2023/2023), Dirigent Fabio Biondi, Haus der Musik, Innsbruck, Austria

Forestillingkreditter (Ensemble & produksjonsteam )

Cast

Ensemble

Program, Informasjon & Sammendrag

Bilder

Videre lesning

Forestillingsdatoer og spillesteder

Sted