Name: Aida
Start: 2022-10-11T00:00:00.000Z
End: 2022-10-11T00:00:00.000Z
Location: Teatro Cervantes

Organization

Conductor

Michele Mariotti

Stage director

Lotte de Beer

Singer

Bass

Soloman Howard

The King of Egypt

Mezzo-soprano

Ksenia Dudnikova

Amneris

Soprano

Sondra Radvanovsky

Aida

Tenor

Jonas Kaufmann

Radames

Dmitry Belosselskiy

Ramfis

Baritone

Ludovic Tézier

Amonasro

Alessandro Liberatore

A messenger

Roberta Mantegna

A high priestess

Teatro Cervantes Malaga

Others

Chœur de l’Opéra national de Paris

Orchestra

Paris Opera Orchestra

italų

Málaga

Spain

Teatro Cervantes

Aida Verdi

Public

ispanų

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Performed for the first time at the Cairo Opera in 1871 to celebrate the opening of the Suez Canal, Aida takes us to the fantasy of a reconstructed Antiquity. The plot revolves around the impossible choice between love and patriotic duty: a captive Ethiopian princess and an Egyptian soldier betray their people, defy a powerful rival and band together until death. The opera contains several of the composer’s favourite themes. Longing for the lost homeland, liberation through death, the contrast between a disheartening present and one idealised elsewhere, the suffocating scope of religious and political power… All of these controlling factors in a world conceived as a trap.
For the debut at the National Opera of Paris, the Dutch stage designer Lotte de Beer chose to bring a critical vision to the European representation of the colonised people, making us question the relationship between the aesthetic productions of the past and the present.

English

Aida by Verdi, Nuo (2022/2022), Režisierius Lotte de Beer,, Dirigentas Michele Mariotti, Teatro Cervantes, Málaga, Spain

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