Name: An Evening with Zukerman
Start: 2023-10-27T00:00:00.000Z
End: 2023-10-28T00:00:00.000Z
Location: Charleston Gaillard Center

Organization

Violinist

Pinchas Zukerman

Violin

Cellist

Amanda Forsyth

Cello

Instrument

Direction d'orchestre

Violin Solo

Orchestra

Charleston Symphony Orchestra

An Evening with Zukerman

Charleston

États-Unis

Charleston Gaillard Center

Masterworks: An Evening with Zukerman

Public

Concerto for Violin and Cello in B-flat major, RV 547

Kol Nidrei, op. 47

Concerto pour violon n° 5 en la majeur, K.219

Symphonie n° 5 en mi mineur, op. 64

Valide

Basse

Instrumentalist

Piano

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Compositeur

Mise en scène

Livret

Décors

Costumes

Chorégraphie

Lumières

Danse

Acteur

Direction de choeur

Video

Dramaturgie

Traduction

Répétiteur

Maquillage

En charge de la production

Coiffure

Autre

Stage Manager

Choeur

Orchestre

Poet

Coach vocal

Prof

Photographer

Diffusion

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Mezzo-soprano

Singer

Soprano

Contre-ténor

Contralto

Baryton

Baryton-basse

Ténor

Parlé

Voix d'enfant

Rôle muet

Alto

Continuo

INTRO
This concert showcases musical masterworks from the Baroque, Classical, and Romantic Periods (Vivaldi, Mozart, Bruch, and Tchaikovsky), and features internationally prominent soloists performing alongside the CSO.

An Evening with Zukerman: Tchaikovsky, Mozart, and Vivaldi
Pinchas Zukerman is a celebrated violinist, conductor, and violist, who often collaborates with top orchestras, chamber music groups, and soloists all over the world. For this concert, Zukerman will pick up both the baton and the violin to show his impeccable musicianship that listeners adore. A prolific performer for 50 years, he has received two Grammys and 21 Grammy nominations. His cello partner for Vivaldi‘s “Double Concerto” will be Amanda Forsyth, about whom Limelight Magazine wrote, “brings passion and formidable technique as a cellist.”

Bruch‘s Kol Nidrei for cello and orchestra will also feature Forsyth. Often referenced as Adagio on Hebrew Melodies (Kol Nidrei means “all vows”), it’s a captivating musical expression of release and a wonderful opportunity to highlight a talented cellist such as Forsyth.

Mozart‘s Violin Concerto No. 5 was the fifth in a series of concertos for violin that the composer completed at age 19. An accomplished violinist in his own right, Mozart’s violin concertos progressed chronologically in technique and by the fifth he was downright innovative in his composition. The influence of Turkish culture in the third movement – hence the work’s nickname – is a sign of the times, as it was fashionable in Europe during the 1700s. Zukerman on violin is sure to shine in this physically demanding warhorse of solo repertoire.

Filled with self-doubt – afraid that he lacked imagination, expression, and power – Tchaikovsky composed his Fifth Symphony. With this resignation that the future was out of his control, he approached the symphony with fate in mind. The Fifth Symphony is not an exercise in despair, however, and we know now that the composer still had loads of creativity remaining; he would go on after the Fifth Symphony to compose The Sleeping Beauty, The Nutcracker, and his Sixth Symphony, among other notable pieces.

Tchaikovsky couldn’t have imagined that the second movement of the symphony would inspire a popular love song (“Moon Love”) that would be performed by the likes of Frank Sinatra, Glenn Miller, and Nat King Cole. In the fourth movement, the orchestra repeatedly builds to such an intensity that the music seems to hang on a precipice. Yet, the symphony closes with a deceptive change in tone, ushered in by a somewhat “false ending” that often elicits audience applause, and finishes with confidence.

English

An Evening with Zukerman by Vivaldi, Bruch, Mozart, Tchaikovsky, P. I., Du (2023/2023), Chef d'orchestre Pinchas Zukerman, Charleston Gaillard Center, Charleston, États-Unis

Crédits de représentation (Distribution et équipe de production )

Distribution

Ensemble

Programme, À Propos & Synopsis

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles