Name: Apología de La Forma
Start: 2022-09-29T00:00:00.000Z
End: 2022-09-30T00:00:00.000Z
Location: Palacio de Congresos Manuel Rojas

Organization

Conductor

Juanjo Mena

Instrumentalist

Pianist

Mario Marzo

Piano

Orchestra

Orquesta de Extremadura

Apología de La Forma

Mérida

Spain

Teatro Romano de Mérida

Badajoz

Palacio de Congresos Manuel Rojas

Apología de La Forma: Brahmsian, fanfare (+2 More)

Public

Brahmsiana, fanfarria para metales y timbales

Piano Concerto No. 3 in C Minor, op. 37

Symphony No. 3 in F Major, Op. 90

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Singer

Baritone

Countertenor

Tenor

Bass-baritone

Bass

Mezzo-soprano

Soprano

Alto

Child vocalist

Continuo

Silent

Spoken

We open the 2022-2023 season with a taste for musical architecture. Beethoven's structural conciseness historically persecuted the writing of Brahms, who would include references to the motto Frei aber froh (“Free but happy”) in the third of his symphonies, the same one that hovers above the Brahmsiana (2010) by the Canarian composer Laura Vega, a fanfare for brass and timpani that serves as the framework for the reopening program and that our orchestra will perform for the first time. Three starting points that draw an apology for the irreproachable clarity and solidity of the musical form by the conductor Juanjo Mena and the pianist Mario Marzo.

English

Abrimos la temporada 2022-2023 con el gusto por la arquitectura musical. La concisión estructural de Beethoven persiguió históricamente la escritura de Brahms, quien volcaría referencias al lema Frei aber froh (“Libre pero feliz”) en la tercera de sus sinfonías, la misma que sobrevuela la Brahmsiana (2010) de la compositora canaria Laura Vega, una fanfarria para metales y timbales que sirve de marco al programa de reapertura y que nuestra orquesta interpretará por primera vez. Tres puntos de partida que dibujan una apología a la irreprochable claridad y solidez de la forma musical de la mano del director Juanjo Mena y el pianista Mario Marzo.

español

Apología de La Forma by Vega, L., Beethoven, Brahms, Fra (2022/2022), Dirigent Juanjo Mena, Palacio de Congresos Manuel Rojas, Badajoz, Spain

Forestilling krediteringer (Medvirkende & Produktionshold )

Ensemble

Program, Information & Oversigt

Fotos

Yderligere læsning

Forestillingsdatoer og spillesteder

Spillesteder