Name: Apología de La Forma
Start: 2022-09-29T00:00:00.000Z
End: 2022-09-30T00:00:00.000Z
Location: Palacio de Congresos Manuel Rojas

Organization

Maestro

Juanjo Mena

Pianista

Mario Marzo

Piano

Orchestra

Orquesta de Extremadura

Apología de La Forma

Mérida

Espanha

Teatro Romano de Mérida

Badajoz

Palacio de Congresos Manuel Rojas

Apología de La Forma: Brahmsian, fanfare (+2 More)

Public

Brahmsiana, fanfarria para metales y timbales

Concerto para piano nº 3 em dó menor, op.37

Sinfonia nº 3 em fá maior, op. 90

Approved

Baixo

Instrumentalist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Compositor

Diretor de Palco

Libretista

Cenógrafo

Estilista

Coreógrafo

Designer de Iluminação

Dançarino

Ator

Mestre de Coro

Designer de Vídeo

Dramaturgo

Tradutor

Designer de Som

Repetidor

Maquiador

Produtor executivo

Estilista de cabelo

Other

Stage Manager

Coral

Orquestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Contratenor

Singer

Mezzo-soprano

Barítono

Soprano

Contralto

Baixo-barítono

Tenor

Spoken

Vocalista Infantil

Silent

Alto

Continuo

We open the 2022-2023 season with a taste for musical architecture. Beethoven's structural conciseness historically persecuted the writing of Brahms, who would include references to the motto Frei aber froh (“Free but happy”) in the third of his symphonies, the same one that hovers above the Brahmsiana (2010) by the Canarian composer Laura Vega, a fanfare for brass and timpani that serves as the framework for the reopening program and that our orchestra will perform for the first time. Three starting points that draw an apology for the irreproachable clarity and solidity of the musical form by the conductor Juanjo Mena and the pianist Mario Marzo.

English

Abrimos la temporada 2022-2023 con el gusto por la arquitectura musical. La concisión estructural de Beethoven persiguió históricamente la escritura de Brahms, quien volcaría referencias al lema Frei aber froh (“Libre pero feliz”) en la tercera de sus sinfonías, la misma que sobrevuela la Brahmsiana (2010) de la compositora canaria Laura Vega, una fanfarria para metales y timbales que sirve de marco al programa de reapertura y que nuestra orquesta interpretará por primera vez. Tres puntos de partida que dibujan una apología a la irreprochable claridad y solidez de la forma musical de la mano del director Juanjo Mena y el pianista Mario Marzo.

español

Apología de La Forma by Vega, L., Beethoven, Brahms, De (2022/2022), Regente Juanjo Mena, Palacio de Congresos Manuel Rojas, Badajoz, Espanha

Créditos do espetáculo (Elenco & Equipe )

Conjunto

Programa, Sobre & Sinopse

Fotos

Leitura adicional

Datas e locais de apresentação

Locais de Eventos