Name: Archangel bel cante
Start: 2023-03-17T00:00:00.000Z
End: 2023-03-17T00:00:00.000Z
Location: Teatro de la Maestranza

Organization

Chanteur

Vladimir Dmtrienco

First Violin

Luis Miguel Díaz Márquez

Second Violin

Jerome Ireland

Viola

Nonna Natsvlishvili

Cello

Francisco Lobo

Double bass

Teatro Maestranza

Orchestra

Real Orquesta Sinfónica de Sevilla

Archangel bel cante

Séville

Espagne

Teatro de la Maestranza

Archangel bel cante: Concert Various

Public

Concert

Valide

Basse

Instrumentalist

Piano

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Compositeur

Direction d'orchestre

Mise en scène

Livret

Décors

Costumes

Chorégraphie

Lumières

Danse

Acteur

Direction de choeur

Video

Dramaturgie

Traduction

Répétiteur

Maquillage

En charge de la production

Coiffure

Autre

Stage Manager

Choeur

Orchestre

Poet

Coach vocal

Prof

Photographer

Diffusion

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Baryton

Singer

Baryton-basse

Soprano

Contre-ténor

Ténor

Mezzo-soprano

Contralto

Parlé

Voix d'enfant

Rôle muet

Alto

Continuo

Is classical music antagonistic to flamenco? Can two genres so apparently distant understand each other? The answer is Archangel. A cantaor as daring as Huelva-born Arcángel was needed, attentive to flamenco tradition but always open to innovation, daring and the avant-garde, to try to cross from the edge of the arias or the interludes of Il trovatore, El barbero de Sevilla or Madama Butterfly, as well as other selected pages of the zarzuela, to the beach of flamenco. The journey is undoubtedly promising and exciting. Well, Archangel does not undertake it alone. With a musical direction reinforced by the wisdom of Isidro Muñoz, Arcángel has the direction, composition, arrangements and solo guitar of José María Gallardo del Rey, a musician with a gift for languages ​​who has been brilliantly swinging between both genres for a long time, plus the Totem Ensemble Quintet, four of whose five members are musicians from the Royal Seville Symphony Orchestra. Arcángel gives the (bel) cante. With knowledge, responsibility and respect. But also with the ambition of exploring new musical horizons for classical and flamenco. With Arcángel there is no antagonistic music. To join them, there are only bridges.

Is classical music antagonistic to flamenco? Can two genres so apparently distant understand each other? The answer is Archangel. A cantaor as daring as Huelva-born Arcángel was needed, attentive to flamenco tradition but always open to innovation, daring and the avant-garde, to try to cross from the edge of the arias or the interludes of Il trovatore, El barbero de Sevilla or Madama Butterfly , as well as other selected pages of the zarzuela, to the beach of flamenco.

The journey is undoubtedly promising and exciting. Well, Archangel does not undertake it alone. With a musical direction reinforced by the wisdom of Isidro Muñoz, Arcángel has the direction, composition, arrangements, and lead guitar of José María Gallardo del Rey, a musician with a gift for languages ​​who has spent a long time swinging brilliantly between both genres. plus the Totem Ensemble Quintet, four of whose five members are musicians from the Royal Seville Symphony Orchestra.

Arcángel gives the (bel) cante. With knowledge, responsibility and respect. But also with the ambition of exploring new musical horizons for classical and flamenco. With Arcángel there is no antagonistic music. To join them, there are only bridges.

English

Archangel bel cante by Various, Du (2023/2023), Teatro de la Maestranza, Séville, Espagne

Crédits de représentation (Distribution et équipe de production )

Distribution

Ensemble

Programme, À Propos & Synopsis

Vidéos

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles