Name: Bajazet (Il Tamerlano)
Start: 2022-11-19T00:00:00.000Z
End: 2022-11-19T00:00:00.000Z
Location: Halle E im MuseumsQuartier

Organization

Conductor

Ottavio Dantone

Singer

Contralto

Filippo Mineccia

Tamerlano

Tenor

Bruno Taddia

Bajazette

Delphine Galou

Asteria

Countertenor

Marina De Liso

Andronico

Mezzo-soprano

Sophie Rennert

Irene

Arianna Vendittelli

Idaspe

Lighting designer

Karl Wiedemann

MusikTheater an der Wien

Orchestra

Accademia Bizantina

italiera

Bajazet (Il Tamerlano) -  (Bajazet (Tamerlane))

Vienna

Austria

Halle E im MuseumsQuartier

Bajazet (Il Tamerlano)

Public

Bajazet (Tamerlane)

alemana

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Bass

Baritone

Soprano

Alto

Child vocalist

Continuo

Silent

Spoken

When writing the pasticcio Il Tamerlano in 1735 for the Venice carnival, Antonio Vivaldi made use of a musical ruse: He gives the sultan Bajazet and the Ottomans his own arias in the Venetian style, while the “barbarians”, the Tartars led by Tamerlano, sing arias in the Neapolitan style of his younger rivals Johann Adolf Hasse, Riccardo Broschi and Geminiano Giacomelli. What Vivaldi intended as a dig at his rivals provides today’s listeners with unadulterated musical pleasure. And Ottavio Dantone, who has assembled a first-class ensemble for Il Tamerlano, provides a magnificent rendition of baroque music of every style with his Accademia Bizantina.

English

Eine Oper für den venezianischen Karneval ist das Pasticcio Il Tamerlano, das Antonio Vivaldi 1735 mit einer hintergründigen Idee schrieb: Er gibt dem Sultan Bajazet und den Osmanen eigene Arien im venezianischen Stil, während die „barbarischen“ Tartaren um Tamerlano Arien im neapolitanischen Stil von seinen jüngeren Rivalen Johann Adolf Hasse, Riccardo Broschi und Geminiano Giacomelli singen. Was für Vivaldi als Spitze gegen seine Konkurrenten gedacht war, erweist sich für den heutigen Hörer*innen als pures musikalisches Vergnügen. Und Ottavio Dantone, der für Il Tamerlano ein hochkarätiges Ensemble versammelt hat, bringt mit seiner Accademia Bizantina alle Stile barocker Musik prachtvoll zum Klingen.

Deutsch

Bajazet (Tamerlane) by Vivaldi, Noiztik (2022/2022), Zuzendaria Ottavio Dantone, Halle E im MuseumsQuartier, Vienna, Austria

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