Name: Barenboim-Said Foundation
Start: 2023-12-29T00:00:00.000Z
End: 2023-12-29T00:00:00.000Z
Location: Teatro de la Maestranza

Organization

Teatro Maestranza

Conductor

Vasily Petrenko

Orchestra

Barenboim-said

Barenboim-Said Foundation

Seville

Spain

Teatro de la Maestranza

Sala Principal

Barenboim-Said Foundation: Concert Various

Public

Romeo and Juliet (1st suite), Op.64bis

Romeo and Juliet (2nd suite), Op.64ter

Scheherazade Op. 35

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Singer

Baritone

Tenor

Mezzo-soprano

Contralto

Soprano

Bass

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Petrenko conducts the fanciful and sensual Russian music

One of the most exciting and desired directors on the scene makes his debut at the Teatro de la Maestranza: the Russian Vasily Petrenko leading a group known to theater fans where he has always shone in outstanding evenings: the Barenboim Said Foundation Orchestra that brings together the musical excellence with its firm commitment to the training of young talent in Andalusia. After winning the Cadaqués Conducting Competition in 2002 at the age of 26, Petrenko has developed an opulent, transparent and sumptuous sound at the Liverpool Philharmonic and the Oslo Philharmonic, attentive to all the details. that has dazzled international critics, who celebrate his multiple recordings. Today he is the new head of the Royal Philharmonic Orchestra.

He goes to Seville with a succulent, sensual and fanciful program of Russian music. The symphonic suite Scheherazade , Op. 35 , by Nikolai Rimsky-Korsakov, premiered in 1888 and based, as is well known, on The Tales of a Thousand and One Nights , with its world of sultans, princesses and adventures, takes the usual to the extreme. temptation of Russian composers to propose dazzling orchestrations that, in this case, elude any narrative will to pursue pure and changing musical scenes supported by precious motifs that appear, leave and come back. For their part, suites 1 and 2 of Romeo and Julietby Sergei Prokofiev, of which a selection of fragments are offered, was a brilliant attempt by Prokofiev to recover the spirit of the great ballets that in Russia in the 1930s and 1940s had greatly diminished under the communist regime. The composition process between 1935 and its premiere in 1938 was subjected to government pressure that accused composers like Shostakovich of formal "deviationism" and Prokofiev had to abandon his initial idea of ​​giving Shakespeare's story a happy ending. Today it is one of the most programmed ballets by the great dance companies.

English

Petrenko dirige la fantasiosa y sensual música rusa

Debuta en el Teatro de la Maestranza uno de los directores más excitantes y deseados de la escena: el ruso Vasily Petrenko al frente de una formación conocida por los aficionados del Teatro donde siempre ha brillado en veladas sobresalientes: la Orquesta Fundación Barenboim Said que aúna la excelencia musical con su firme apuesta por la formación del talento joven en Andalucía. En la Filarmónica de Liverpool y la Filarmónica de Oslo, de las que ha sido titular, Petrenko, tras ganar, con 26 años, el Concurso de Dirección de Cadaqués en 2002, ha desarrollado un sonido opulento, transparente y suntuoso atento a todos los detalles que ha encandilado a la crítica internacional, que celebra sus múltiples grabaciones. Hoy es el nuevo titular de la Royal Philarmonic Orchestra.

A Sevilla acude con un suculento, sensual y fantasioso programa de música rusa. La suite sinfónica Scheherezade, Op. 35, de Nikolái Rimski-Kórsakov, estrenada en 1888 y basada, como es sabido, en Los cuentos de las mil y una noches, con su mundo de sultanes, princesas y aventuras, lleva al extremo la habitual tentación de los compositores rusos por proponer orquestaciones deslumbrantes que, en este caso, eluden cualquier voluntad narrativa para perseguir puras y cambiantes escenas musicales sostenidas por preciosos motivos que se presentan, se van y vuelven. Por su parte, las suites 1 y 2 de Romeo y Julieta de Serguéi Prokófiev, de las que se ofrecen una selección de fragmentos, fue un brillante intento de Prokófiev por recuperar el espíritu de los grandes ballets que en la Rusia de los años 30 - 40 había disminuido mucho bajo el régimen comunista. El proceso de composición entre 1935 y su estreno en 1938 estuvo sometido a la presión gubernamental que acusaba a compositores como Shostakóvich de “desviacionismo” formal y Prokófiev debió abandonar su idea inicial de darle a la historia de Shakespeare un final feliz. Hoy es uno de los ballets más programados por las grandes compañías de danza.

español

Barenboim-Said Foundation by Prokofiev, Rimsky-Korsakov, Aπό (2023/2023), αγωγός Vasily Petrenko, Teatro de la Maestranza, Seville, Spain

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