Organization

Gstaad Menuhin Festival

Conductor

Paul McCreesh

Singer

Soprano

Mary Bevan

Countertenor

Tim Mead

Tenor

Jeremy Ovenden

Bass

Neal Davies

Others

Basel Chamber Orchestra

Tölzer Knabenchor

Baroque Pomp

Gstaad

Switzerland

Baroque Pomp: Messiah Händel

Public

Messiah HWV 56

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Bass-baritone

Contralto

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Is it necessary to hit bottom in order to attain the sublime? Handel, at a low point in his life, must have thought this when he received the libretto by Charles Jennens for an oratorio, almost as if the Saviour himself had ordered its composition! His operas which had once enjoyed such popularity at the royal courts were no longer “selling”. The poet’s words transformed him: he wrote this “Messiah” in 24 days (and nights), giving birth to a work that constituted a sort of testament of the Baroque genius. After its performance in Dublin in 1742 it took London by storm the following year, and it is said that the king himself stood for the famous “Hallelujah” chorus: a gesture that has become custom in contemporary England.

English

Baroque Pomp by Händel, Alates (2017/2017), Dirigent Paul McCreesh

Etenduse krediiti (Näitlejad ja meeskond )

Osades

Ansambel

Programm, teave ja kokkuvõte

Fotod

Lisalugemist

Esinemiskuupäevad ja -kohad

Etenduspaigad