Name: Bartók – Sárik: Bluebeard's Castle - jazz arrangement
Start: 2021-08-18T00:00:00.000Z
End: 2021-08-18T00:00:00.000Z
Location: A Művelődés Háza (House of Culture)

Artist

Admin

Zempléni Fesztivál

Conductor

Gábor Hollerung

Bass-baritone

Krisztián Cser

Bluebeard

Soprano

Adrienn Miksch

Judith

Orchestra

Dohnányi Orchestra Budafok

Sárik Péter Trió

vengrų

Bartók – Sárik: Bluebeard's Castle - jazz arrangement

Sarospatak

Hungary

A Művelődés Háza (House of Culture)

Public

Private

Bluebeard's Castle

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Baritone

Singer

Contralto

Mezzo-soprano

Countertenor

Tenor

Spoken

Child vocalist

Silent

Alto

Continuo

This evening we can listen to two arrangements of Bartók’s works at the House of Culture in Sárospatak. We will encounter completely opposite, yet very complementary arrangements of the classical works. Norbert Káel‘s arrangement suggests to play jazz in a traditional way; it formulates themes and musical ideas, improvises on them freely, builds on a basic theme from a single idea to create and weave together the fabric of the work, The Prince Carved in Wood. As the author explains, these jazz adaptations give the work a new aspect, smoothing out Bartók’s music, which is flexible and written with a lot of internal movement, slowing down and speeding up, thereby creating a sense of continuity. We will be able to enjoy a completely new musical composition, built from the Bartók work and elements of jazz and classical music, fused with improvisation.

Peter Sárik‘s approach is based entirely on the original piece, essentially not changing a single note of The Bluebeard’s Castle. In his own words: he comments on the events, he writes parts to amend them. This was a common technique in the history of music: Romantic composers performed many great Baroque works, where they kept every note of the original work, but added new ones in new types of phrasing, thus creating a work that was more plastic, more exciting, more virtuosic and more impressive in its mood and character. The same is done by Peter Sárik. He plays two cadenzas and a lot of counterpoints on the piano. All the notes and rhythms of the singers are performed according to the original work, yet the arrangement puts it in a new light and offers a new approach. In this case the basis is provided by the jazz drum and the jazz bass, which is very exciting, because you end up listening to The Bluebeard’s Castle in its entirety, but you come away from the concert with a very different feeling than if you had heard Bartók’s work in the original.

English

Bartók – Sárik: Bluebeard's Castle - jazz arrangement by Bartók, Nuo (2021/2021), Dirigentas Gábor Hollerung, A Művelődés Háza (House of Culture), Sarospatak, Hungary

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