Organization

Dyrygent

Andreas Spering

Śpiewak

Sopran

Sofie Asplund

Soprano

Kristian Lindroos

Bass

GöteborgsOperan

Others

GöteborgsOperans Kör

Orchestra

Göteborg Opera Orchestra

The Göteborg Opera’s Youth Choirs

Tenor

Tobias Westman

niemiecki

Beethoven’s Oratorio

Göteborg

Szwecja

Frihamnskyrkan

Beethoven’s Oratorio: Schicksalslied, op. 54 Brahms (+1 More)

Public

Schicksalslied, op. 54

Christus am Ölberge, op.85

Approved

The Opera’s soloists and chorus plus the entire Göteborg Opera Orchestra visit the Frihamnskyrkan church to begin Holy Week with Beethoven’s only and rarely performed oratorio, Christ on the Mount of Olives.

In Christus am Ölberge (Christ on the Mount of Olives) we meet an anguished Jesus after the Last Supper, overcoming all fears in his tenor voice during a moment of torment in the Garden of Gethsemane. Prayer, the comfort of angels, the loyalty of friends, the realisation that it his mission to save humanity, the final capture and the hallelujah of angels – all are portrayed with tenderness and great drama. Perhaps the emotional register of the work reflects Beethoven’s own despair and slender hope at a time (1803) when his hearing was deteriorating rapidly.

The concert begins with Brahms’ shimmering Schicksalslied (Song of Destiny). This 17-minute symphonic poem for choir and orchestra hovers between the carefree realm of the gods and the trials and tribulations of mortals.

The concert will be conducted by internationally renowned Beethoven specialist Andreas Spering.

English

Beethoven’s Oratorio by Brahms, Beethoven, od (2024/2024), Dyrygent Andreas Spering, Frihamnskyrkan, Göteborg, Szwecja

Udział w spektaklu (Obsada & realizacja )

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca