Organization

Śpiewak

Sopran

Carmela Remigio

Antonina

Mezzosopran

Annalisa Stroppa

Irene

Baryton

Roberto Frontali

Belisario

Simon Lim

Giustiniano

Tenor

Celso Albelo

Alamiro

Anaïs Mejías

Eudora

Klodjan Kaçani

Eutropio

Dyrygent

Riccardo Frizza

Przygotowanie chóru

Fabio Tartari

Stefano Gentili

Eusebio

Fondazione Teatro Donizetti

Others

Coro Donizetti Opera

Orchestra

Orchestra Donizetti Opera

Piermarco Viñas Mazzoleni

Un centurione

Matteo Castrignano

Ottario

After his first experience in Paris, the opera Belisario  (1836) marks Donizetti to Venice, giving him the opportunity "to see the city again, where I started my musical career either better or badly", as he himself observed.

A friend who had not seen him since the time of Peter the Great (for 16 years, therefore) found him "beautiful and robust perhaps more than then". He had not become such only in build. From the time of his first experiences, carried out in the comic genre and under the influence of Rossini, he had acquired his own style, in step with the new times and therefore especially in the serious field: indeed, in dramas with strong colors, romantic or classical that were the scripted matter. And «lyrical tragedy» is Belisario , on a much appreciated libretto by Salvadore Cammarano, full of passions and situations that have roots in the great classical heritage, echoing the troubles of Oedipus and the dark family events of the Atrides.

The part of the protagonist was particularly striking, as one reviewer wrote: "very interesting for the public, moving and full of expression and sentiment", the parable of a hero who falls from triumph to ruin without losing that greatness of soul that will lead him to the final, tragic redemption.

Belisario Donizetti

Public

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Choreografia

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Kostiumy

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Realizacja dźwięku

Reżyseria

Reżyseria światła

Scenografia

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Bas - baryton

Kontralt

Kontratenor

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Dopo la prima esperienza a Parigi, l’opera Belisario (1836) segna il ritorno di Donizetti a Venezia, dandogli occasione «di rivedere la città, dove o bene, o male incominciai la musicale carriera», come osservò lui stesso.

Un amico che non lo vedeva dai tempi di Pietro il Grande (da 16 anni, quindi) lo trovò «bello e robusto forse più di allora». Non era diventato tale solo di corporatura. Dall’epoca di quelle sue prime esperienze, compiute nel genere comico e sotto l’influsso rossiniano, aveva acquisito un suo stile, al passo coi tempi nuovi e dunque specie in ambito serio: anzi, in drammi a forti tinte, romantica o classica che fosse la materia sceneggiata. E «tragedia lirica» è Belisario, su un libretto molto apprezzato di Salvadore Cammarano, denso di passioni e situazioni che hanno radici nel grande patrimonio classico, riecheggiando le traversie di Edipo e le cupe vicende famigliari degli Atridi.

A colpire fu, in modo particolare, proprio la parte del protagonista, come scrisse un recensore: «interessantissima per il pubblico, commovente e di tutta espressione e sentimento», parabola di un eroe che precipita dal trionfo alla rovina senza smarrire quella grandezza d’animo che lo porterà al finale, tragico riscatto.

italiano

Belisario by Donizetti, od (2020/2020), Dyrygent Riccardo Frizza

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca