Name: Bianca e Falliero
Start: 2022-07-08T00:00:00.000Z
End: 2022-07-24T00:00:00.000Z
Location: Festspielhaus

Organization

Tiroler Festspiele Erl

Conductor

Simone Di Felice

Stage director

Tilmann Köhler

Set designer

Karoly Risz

Costume designer

Susanne Uhl

Lighting designer

Joachim Klein

Dramaturge

Zsolt Horpácsy

Singer

Contralto

Maria Schellenberg

Falliero

Soprano

Heather Phillips

Bianca

Tenor

Theo Lebow

Contareno

Bass

Giovanni Battista Parodi

Capellio

Božidar Smiljanić

Priuli

Doge von Venedig

Carlos Andrés Cárdenas

Ein Kanzler / Ein Offizier / Ein Gerichtsdiener

Others

Chor der Tiroler Festspiele Erl

Orchestra

Orchester der Tiroler Festspiele Erl

Bianca e Falliero -  (Bianca and Falliero)

Weinzierl bei Krems

Austria

Festspielhaus

Public

Bianca and Falliero

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Mezzo-soprano

Baritone

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Her father's political and financial interests threaten their love. Bianca is mercilessly used as a hostage in the family feud. Falliero, the victorious defender of the state, returns from the war just as Bianca is about to be forced into a marriage with Capellio. The conflicts are inevitable, Bianca's ordeal between fatherly love as the original bond and the promised devotion to the beloved gave Rossini the opportunity to expand his vocal and orchestral means of expression. Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities." Bianca is mercilessly used as a hostage in the family feud. Falliero, the victorious defender of the state, returns from the war just as Bianca is about to be forced into a marriage with Capellio. The conflicts are inevitable, Bianca's ordeal between fatherly love as the original bond and the promised devotion to the beloved gave Rossini the opportunity to expand his vocal and orchestral means of expression. Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities." Bianca is mercilessly used as a hostage in the family feud. Falliero, the victorious defender of the state, returns from the war just as Bianca is about to be forced into a marriage with Capellio. The conflicts are inevitable, Bianca's ordeal between fatherly love as the original bond and the promised devotion to the beloved gave Rossini the opportunity to expand his vocal and orchestral means of expression. Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities." when a forced marriage between Bianca and Capellio is to be concluded. The conflicts are inevitable, Bianca's ordeal between fatherly love as the original bond and the promised devotion to the beloved gave Rossini the opportunity to expand his vocal and orchestral means of expression. Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities." when a forced marriage between Bianca and Capellio is to be concluded. The conflicts are inevitable, Bianca's ordeal between fatherly love as the original bond and the promised devotion to the beloved gave Rossini the opportunity to expand his vocal and orchestral means of expression. Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities." Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities." Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities."
Zsolt Horpácsy

English

Bianca and Falliero by Rossini, Noiztik (2022/2022), Zuzendaria Tilmann Köhler,, Zuzendaria Simone Di Felice, Festspielhaus, Weinzierl bei Krems, Austria

Emanaldia kredituak (Antzezleku eta Ekipa )

Aktoreak

Tripulazioa

Taldea

Programa, buruz eta sinopsia

Iritziak

Irakurketa gehiago

Emanaldiaren datak eta lekuak

Lekuak