Organization

Tiroler Festspiele Erl

Direzione d'orchestra

Simone Di Felice

Regia

Tilmann Köhler

Scenografia

Karoly Risz

Costumi

Susanne Uhl

Luci

Joachim Klein

Drammaturgia

Zsolt Horpácsy

Cantante

Contralto

Maria Ostroukhova

Falliero

Soprano

Heather Phillips

Bianca

Tenore

Theo Lebow

Contareno

Basso

Giovanni Battista Parodi

Capellio

Božidar Smiljanić

Priuli

Doge von Venedig

Carlos Andrés Cárdenas

Ein Kanzler / Ein Offizier / Ein Gerichtsdiener

Others

Chor der Tiroler Festspiele Erl

Orchestra

Orchester der Tiroler Festspiele Erl

Bianca e Falliero

Weinzierl bei Krems

Austria

Festspielhaus

Public

Approvato

Her father's political and financial interests threaten their love. Bianca is mercilessly used as a hostage in the family feud. Falliero, the victorious defender of the state, returns from the war just as Bianca is about to be forced into a marriage with Capellio. The conflicts are inevitable, Bianca's ordeal between fatherly love as the original bond and the promised devotion to the beloved gave Rossini the opportunity to expand his vocal and orchestral means of expression. Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities." Bianca is mercilessly used as a hostage in the family feud. Falliero, the victorious defender of the state, returns from the war just as Bianca is about to be forced into a marriage with Capellio. The conflicts are inevitable, Bianca's ordeal between fatherly love as the original bond and the promised devotion to the beloved gave Rossini the opportunity to expand his vocal and orchestral means of expression. Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities." Bianca is mercilessly used as a hostage in the family feud. Falliero, the victorious defender of the state, returns from the war just as Bianca is about to be forced into a marriage with Capellio. The conflicts are inevitable, Bianca's ordeal between fatherly love as the original bond and the promised devotion to the beloved gave Rossini the opportunity to expand his vocal and orchestral means of expression. Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities." when a forced marriage between Bianca and Capellio is to be concluded. The conflicts are inevitable, Bianca's ordeal between fatherly love as the original bond and the promised devotion to the beloved gave Rossini the opportunity to expand his vocal and orchestral means of expression. Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities." when a forced marriage between Bianca and Capellio is to be concluded. The conflicts are inevitable, Bianca's ordeal between fatherly love as the original bond and the promised devotion to the beloved gave Rossini the opportunity to expand his vocal and orchestral means of expression. Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities." Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities." Not least because of the high vocal demands, the opera was not able to establish itself during the composer's lifetime. It was only in 1986 that the work was rediscovered and revealed its extraordinary qualities."
Zsolt Horpácsy

English

Bianca e Falliero by Rossini, Da (2022/2022), Diretto da Tilmann Köhler,, Direttore d'orchestra Simone Di Felice, Festspielhaus, Weinzierl bei Krems, Austria

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