Name: Bohéma
Start: 2018-02-01T00:00:00.000Z
End: 2018-04-04T00:00:00.000Z
Location: Slovak National Theatre New Building

Organization

Conductor

Peter Valentovic

Stage director

Peter Konwitschny

Set designer

Johannes Leiacker

Costume designer

Chorus master

Pavel Procházka

Dramaturge

Vladimír Zvara

Martin Leginus

Directing studies

Verena Graubner

Tenor

Tomáš Juhás

Rodolfo

Baritone

Daniel Čapkovič

Marcello

Peter Mazalan

Schaunard

Bass

Peter Kellner

Colline

Soprano

Adriana Kohútková

Mimi

Jana Jurícková

Musetta

Martin Malachovský

Benoît

František Ďuriač

Alcindoro

Igor Pasek

Parpignol

Daniel Hlásny

A customs sergeant

Slovak National Theatre

италиански

Bohéma

Bratislava

Slovakia

Slovak National Theatre New Building

Bohéma: La bohème Puccini

Public

La Bohème

словашки

Approved

Giacomo Puccini: Bohéma Legendary German opera director Peter Konwitschny returned to Bratislava to study another title - Puccini's Bohéma - after Eugene Onegin and Madame Butterfly. This work acquires a new form in its presentation, understandable not only to opera connoisseurs. The director tells a beautiful and sad story about four young men without money without sentimentality, simply and convincingly. The scenes of the opera are full of cheerfulness and often black humor of the "bohemians" who overlap their depressions and feelings of futility. Their jokes and their loves are in a way a struggle for life. Friedrich Haider loses nothing of his beauty and at the same time gains significantly in dramatic truthfulness and strength PREMIERE: Friday, January 31, 2014 at 7:00 PM Saturday 1.http://www.snd.sk/?cinohra&predst...

Legendary German opera director Peter Konwitschny returned to Bratislava to study another title in the SND, after Eugene Onegin and Madam Butterfly - Puccini's Bohemians. The director tells the engaging story of four poor young artists without sentimentality, simply and convincingly. Puccini's veristic interpretation mixes smiling scenes with tragic ones as a faithful picture of everyday life; and Konwitschny's view of him is penetrating and full of understanding. Where is the line between smile and crying? Are young men on the fringes of society just looking for a woman's arms, or is the desire for love their call for help? In the hands of director Konwitschny, Bohém does not lose any of his beauty - and at the same time he gains in dramatic truthfulness and strength.

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