Name: Brahms' symfonieën No. 1 en 3
Start: 2023-05-03T00:00:00.000Z
End: 2023-05-10T00:00:00.000Z
Location: Het Concertgebouw

Organization

Conductor

John Eliot Gardiner

Orchestra

Concertgebouworkest

Brahms' symfonieën No. 1 en 3

Luxembourg

Philharmonie

Hamburg

Germany

Elbphilharmonie

Amsterdam

Netherlands

Het Concertgebouw

Brahms' symfonieën No. 1 en 3: Symphony No. 1 in C Minor, op. 68 Brahms (+1 More)

Public

Symphony No. 1 in C Minor, op. 68

Symphony No. 3 in F Major, Op. 90

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Bass-baritone

Singer

Contralto

Soprano

Tenor

Baritone

Mezzo-soprano

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

John Eliot Gardiner en het Concertgebouworkest sluiten hun Brahmscyclus groots af, met alle vier de symfonieën verdeeld over twee avonden - in Amsterdam, Hamburg en Luxemburg. De Britse dirigent ontdoet Brahms’ werken graag van hun soms wat al te serieuze, ‘zware’ imago. Zoals bij de Eerste symfonie. Die ontstond weliswaar na jarenlang zwoegen voor de componist, maar Gardiner spreekt graag over een ‘aansporing om te dansen’ in het werk – en over de steeds weer verspringende, oorkietelende ritmes. En in de Derde symfonie, hoort Gardiner de weerklank van Brahms’ kamermuziek. Hij wijst op de ‘verleidelijke klarinet’ in het eerste deel, en ‘de intimiteit van het gesprek tussen individuele instrumenten’. Zo plaatst de Brit de bekende symfonieën in een heel nieuwe, frisse context. En daar gaat het hem om: een Brahms ‘voor onze tijd’.

Nederlands

John Eliot Gardiner and the Concertgebouw Orchestra close their Brahms cycle on a grand note, with all four symphonies spread over two evenings - in Amsterdam, Hamburg and Luxembourg. The British conductor likes to strip Brahms' works of their sometimes too serious, 'heavy' image. As with the First Symphony . Although it was created after years of toil for the composer, Gardiner likes to talk about an 'incitement to dance' in the work – and about the ever-changing, ear-tickling rhythms. And in the Third Symphony, Gardiner hears the resonance of Brahms's chamber music. He points to the 'seductive clarinet' in the first movement, and 'the intimacy of the conversation between individual instruments'. In this way, the Brit places the well-known symphonies in a completely new, fresh context. And that's what he's all about: a Brahms 'for our time'.

English

Brahms' symfonieën No. 1 en 3 by Brahms, Frá (2023/2023), Hljómsveitarstjóri John Eliot Gardiner, Het Concertgebouw, Amsterdam, Netherlands

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