Name: Brahms' Troostrijke Requiem
Start: 2024-02-03T00:00:00.000Z
End: 2024-02-03T00:00:00.000Z
Location: deSingel

Admin

De Singel

Conductor

Philippe Herreweghe

Singer

Soprano

Regula Mühlemann

Baritone

Florian Boesch

Orchestra

Orchestre des Champs-Elysées

Orchester des Collegium Vocale Gent

Brahms' Troostrijke Requiem

Antwerp

Belgium

deSingel

Blauwe zaal

Public

Concert

Symphony No. 8/7 in B minor D 759 (Unfinished)

A German Requiem

Samabedona Majumder

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Mezzo-soprano

Countertenor

Tenor

Bass-baritone

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Brahms' Troostrijke Requiem: Symphony in B Minor, D. 759 ("Unfinished") Schubert (+1 More)

‘Since Bach’s Mass in B minor and Beethoven’s Missa solemnis, nothing more has been written in this field that can match up to this Deutsches Requiem.’ Such exultant words were already being written about Johannes Brahms’ breakthrough at the time of its composition. Equally full of praise were reviews of Philippe Herreweghe’s recording of the requiem in 2008: ‘(his) inborn feeling for the musical lines (…) is clear throughout as he sculpts this work.’ More than fifteen years after Herreweghe sequestered himself in the studio with the Orchestre des Champs-Élysées, he now presents the imposing and deeply human composition on the stage of the Blue Hall together with the unsurpassed Collegium Vocale Gent. After all this time on the rostrum, it goes without saying that this unique liturgical work - with texts in German and not in the expected Latin - seems tailor-made for Herreweghe.

English

« Depuis la Messe en si mineur de Bach et la Missa solemnis de Beethoven, plus rien n'a été écrit dans ce domaine qui égale ce Deutsches Requiem. » C'est en ces termes dithyrambiques que la critique a accueilli à l'époque la composition qui a fait la renommée de Johannes Brahms. Des éloges pas moins flatteurs ont salué l'enregistrement de la messe des morts par Philippe Herreweghe en 2008 : « [son] sens inné des lignes musicales […] est manifeste à tout moment, tandis qu'il sculpte l'œuvre. » Plus de quinze ans après être entré en studio avec l'Orchestre des Champs-Élysées, Herreweghe dirige la composition imposante et profondément humaine dans notre Salle Bleue, aux côtés du fameux Collegium Vocale de Gand. Faut-il encore souligner que l'œuvre liturgique singulière – en allemand plutôt qu'en latin, comme on s'y attendrait – est taillée sur mesure pour le grand chef ?

français

‘Sinds Bachs Mis in b en Beethovens Missa solemnis is er niets meer geschreven dat op dit gebied kan tippen aan dit Deutsches Requiem.’ Zo jubelend werd al ten tijde van de compositie over Johannes Brahms’ doorbraak geschreven. Minstens even lovend waren recensenten over Philippe Herreweghes opname van de dodenmis in 2008: ‘(zijn) aangeboren gevoel voor de muzikale lijnen (…) is overal duidelijk wanneer hij dit werk boetseert.’ Meer dan vijftien jaar nadat Herreweghe met het Orchestre des Champs-Élysées in de studio dook, brengt hij de imposante en diepmenselijke compositie nu op het podium van de Blauwe zaal samen met het onvolprezen Collegium Vocale uit Gent. Dat dit unieke liturgische werk - met teksten in het Duits en niet in het verwachte Latijn - op maat gemaakt lijkt voor Herreweghe, hoeft na al die tijd op de bok geen betoog.

Nederlands

Brahms' Troostrijke Requiem by Schubert, Brahms, Frá (2024/2024), Hljómsveitarstjóri Philippe Herreweghe, deSingel, Antwerp, Belgium

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